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Cited by

• 2003Feel the beat come down: house music as rhetoric27 cited
• 2003Is anybody listening?27 cited
• 2003The determining role of performance in the articulation of meaning: the case of ‘Try a Little Tenderness’24 cited
• 2006An Investigation of Strategies Developed by Music Learners in a Cross-Cultural Setting19 cited
• 2003Talk and text: popular music and ethnomusicology17 cited
• 2003Pangs of history in late 1970s new-wave rock9 cited
• 2003Jethro Tull and the case for modernism in mass culture8 cited
• 2016Stability and change in the composition of a ‘Plague Mass’ in the wake of the Black Death4 cited
• 1992On the Unremarkable in Music4 cited
• 1982American Music and American Musicology3 cited
• 2004Representing Jacquet de La Guerre on disc: scoring and basse continue practices, and a new painting of the composer3 cited
• 2011Philosophy, Policy, Practice Visions and Realities of Cultural Diversity in Selected Primary Music Classrooms in Brisbane and Singapore3 cited