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Sondheim and Lloyd-Webber: The New Musical
0 references·8 citing·21 second hop
Sondheim and Lloyd-Webber: The New Musical (2001)Sondheim and Lloyd-Webber: The New MusicalThe Cambridge Companion to American Theatre since 1945 (2021)The Cambridge Companion to Am…The Coming of the Musical Play: Rodgers and Hammerstein (2017)The Coming of the Musical Pla…The Cambridge Companion to the Musical (2017)The Cambridge Companion to th…New Horizons: The Musical at the Dawn of the Twenty-First Century (2017)New Horizons: The Musical at …American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…Politics and the Reception of Andrew Lloyd Webber’sThe Phantom of the Opera (2014)Politics and the Reception of…Attention must be paid, cried the balladeer: The concept musical defined (2010)Attention must be paid, cried…“What Do We Mean by Opera, Anyway?”: Lloyd Webber'sPhantom of the Operaand “High-Pop” Theatre (2009)“What Do We Mean by Opera, An…The British General Election of 1964 (1965)Changed for Good (2011)The British General Election of 2017 (2018)Singing Utopia (2024)Opera and Drama in Russia as Preached and Practiced in the 1860's (1983)The complete Phantom of the Opera (1987)Andrew Lloyd Webber: His Life and Works (1989)American Musical Theatre: A Chronicle (1994)The American Musical and the Formation of National Identity (2004)The Routledge Companion to Postmodernism (2010)Liveness: performance in a mediatized culture (2008)The Explicit Body in Performance (2010)Performing Remains (2011)Heavenly Bodies: Film Stars and Society (1987)Highbrow/Lowbrow (1988)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)МЮЗИКЛ ЯК ІНТОНАЦІЙНА ПРАКТИКА (2022)Love and theft: blackface minstrelsy and the American working class (1994)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)
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Cited by

  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2021The Cambridge Companion to American Theatre since 194519 cited
  • 2009“What Do We Mean by Opera, Anyway?”: Lloyd Webber'sPhantom of the Operaand “High-Pop” Theatre16 cited
  • 2014Politics and the Reception of Andrew Lloyd Webber’sThe Phantom of the Opera12 cited
  • 2017The Cambridge Companion to the Musical8 cited
  • 2010Attention must be paid, cried the balladeer: The concept musical defined4 cited
  • 2017The Coming of the Musical Play: Rodgers and Hammerstein3 cited
  • 2017New Horizons: The Musical at the Dawn of the Twenty-First Century3 cited

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