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The semiotics of theater
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The semiotics of theater (1993)The semiotics of theaterHow To Do Things With Words (1975)How To Do Things With WordsSemiotics and performing arts: contemporary issues (2016)Semiotics and performing arts…From Semiotics to Philosophy: Daring to Ask the Obvious (2015)From Semiotics to Philosophy:…INTERIORITY, THE ‘DEEP EARTH’ AND THE SPATIAL SYMBOLISM OF DARIUS' APPARITION IN THEPERSIANSOF AESCHYLUS (2014)INTERIORITY, THE ‘DEEP EARTH’…Staging Europe: Theatricality and Painting at the Chinese Imperial Court (2013)Staging Europe: Theatricality…From Props to Affordances: An Ecological Approach to Theatrical Objects (2010)From Props to Affordances: An…Business is Show Business: Management Presentations as Performance (2010)Business is Show Business: Ma…DEATH'S ARRIVAL AND EVERYMAN'S SEPARATION (2007)DEATH'S ARRIVAL AND EVERYMAN'…(Re-)Creating the Critique: In(tro)ducing the Semiotics of Theatre in the Foreign-language Performance Project (2002)(Re-)Creating the Critique: I…When is the Play the Thing?—Analytic Aesthetics and Dramatic Theory (1995)When is the Play the Thing?—A…The Presentation of Self in Everyday Life. (1956)A Grammar of Motives (1969)Impression management: A literature review and two-component model. (1990)De‐Essentializing the Knowledge Intensive Firm: Reflections on Sceptical Research Going against the Mainstream (2011)When Arts Enter Organizational Spaces: Implications for Organizational Learning (2013)The Aesthetic Dimension of Organizing: A Review and Research Agenda (2021)Speech and Phenomena: And Other Essays on Husserl's Theory of Signs (1967)A Theory of Semiotics (1976)The Postmodern Condition: A Report on Knowledge (1984)Choreography Invisible (2020)The Rainbow of Desire: The Boal Method of Theatre and Therapy (1994)The Semiotics of Theatre and Drama (2003)Games for Actors and Non-Actors (2005)Phronesis or techne? Theatre studies as moral agency (2005)Changing Theories of Undergraduate Theatre Studies, 1945–1980 (2008)The Fantastic: A Structural Approach to a Literary Genre (1976)Absorption and Theatricality: Painting and Beholder in the Age of Diderot (1981)Fruitful Sites: Garden Culture in Ming Dynasty China (1997)Synthesizing a Dual-Definition of Façade in the Western Palaces of the Yuanming Yuan: Art, Politics, and Place-making in the Garden of Perfect Brightness (2021)Understanding Media: The Extensions of Man (1964)Steps to an Ecology of Mind (1973)Metaphors We Live By (2003)Towards a probody aesthetics: ageing and occupationally damaged bodies in performance (2018)Truth and Method (1960)Speech Acts (1969)Individuals (2002)The Civilization of the Renaissance in Italy (1946)The Claim of Reason. Wittgenstein, Scepticism, Morality and Tragedy. (1981)The Claim of Reason: Wittgenstein, Skepticism, Morality, and Tragedy (1982)The Greeks and the Irrational (1951)Greek Religion: Archaic and Classical (1984)The Logic of Practice (1990)Greek Tragedy in the Fourth Century: The Fragments (2018)Ancient Theatre and Performance Culture Around the Black Sea (2019)Theatre at Olbia in the Black Sea (2019)Postdramatic Theatre (2006)La condition postmoderne (2017)Introduction to WordNet: An On-line Lexical Database * (1990)Positioning: The Discursive Production of Selves (1990)A Dynamic Theory of Organizational Knowledge Creation (1994)
this work references cited by second hop

References

  • 1975How To Do Things With Words21,513 cited

Cited by

  • 2010Business is Show Business: Management Presentations as Performance71 cited
  • 2014INTERIORITY, THE ‘DEEP EARTH’ AND THE SPATIAL SYMBOLISM OF DARIUS' APPARITION IN THEPERSIANSOF AESCHYLUS69 cited
  • 2015From Semiotics to Philosophy: Daring to Ask the Obvious20 cited
  • 2013Staging Europe: Theatricality and Painting at the Chinese Imperial Court12 cited
  • 2016Semiotics and performing arts: contemporary issues11 cited
  • 2002(Re-)Creating the Critique: In(tro)ducing the Semiotics of Theatre in the Foreign-language Performance Project9 cited
  • 1995When is the Play the Thing?—Analytic Aesthetics and Dramatic Theory6 cited
  • 2010From Props to Affordances: An Ecological Approach to Theatrical Objects6 cited
  • 2007DEATH'S ARRIVAL AND EVERYMAN'S SEPARATION3 cited

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