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Bernini: Flights of Love, the Art of Devotion
0 references·4 citing·17 second hop
Bernini: Flights of Love, the Art of Devotion (1995)Bernini: Flights of Love, the Art of Devo…Gilles Deleuze and Bernini’s Bel Composto: From Theatricality to a Living-montage (2022)Gilles Deleuze and Bernini’s …Immersion Into Noise (2011)Immersion Into NoiseAutotopography: Louise Bourgeois as Builder (2002)Autotopography: Louise Bourge…Jesuits, Nahuas, and the Good Death Society in Mexico City, 1710-1767 (2000)Jesuits, Nahuas, and the Good…Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Cambridge Companion to Film Music (2016)The Aztecs Under Spanish Rule (1964)Philippe Ariès. Western Attitudes toward Death: From the Middle Ages to the Present. Translated by Patricia M. Ranum. (The Johns Hopkins Symposia in Comparative History.) Baltimore: Johns Hopkins University Press. 1974. Pp. xi, 111. $6.50 and Dickran and Ann Tashjian. Memorials for Children of Change: The Art of Early New England Stonecarving. Middle town, Conn.: Wesleyan University Press. 1974. Pp. xv, 309. $20.00 (1975)Maya Society under Colonial Rule (1984)The Truth about theCrónica Mexicayotl (2011)Indian Lords, Hispanic Gentlemen: The Salazars of Colonial Tlaxcala (2012)The Indigenous Archive: Religion and Education in Eighteenth-Century Mexico (2018)Iconology: Image, Text, Ideology (1986)The Fold: Leibniz and the Baroque (1988)Parodies of Female Flesh in the Fabric Sculptures of Tamara Kostianovsky (2017)The Language of Psychoanalysis (2018)From the Closed World to the Infinite Universe. (1959)The Montage of Film Attractions (1998)Architecture from the outside : essays on virtual and real space (2001)
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  • 2011Immersion Into Noise49 cited
  • 2000Jesuits, Nahuas, and the Good Death Society in Mexico City, 1710-176742 cited
  • 2002Autotopography: Louise Bourgeois as Builder21 cited
  • 2022Gilles Deleuze and Bernini’s Bel Composto: From Theatricality to a Living-montage4 cited

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