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Harold Innis in the New Century: Reflections and Refractions
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Harold Innis in the New Century: Reflections and Refractions (2002)Harold Innis in the New Century: Reflecti…Credit and Common Sense (2021)Credit and Common SenseInnis’s Infrastructure (2017)Innis’s InfrastructureA Decade of Change and the Emergence of Digital Media: Analysis of Trade Press Coverage of the Advertising Industry, 2005–2014 (2017)A Decade of Change and the Em…Imaged Communities: Putting Canadian Photographic History in its Place (2015)Imaged Communities: Putting C…Organizing and reframing technological determinism (2014)Organizing and reframing tech…Space Bias/Time Bias: Harold Innis, Empire and Communications (2009)Space Bias/Time Bias: Harold …THE AUDIO-VISION OF FOUND-FOOTAGE FILM AND VIDEO (2007)THE AUDIO-VISION OF FOUND-FOO…MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)MUSIC VIDEO AND SYNAESTHETIC …ELVIS GOES GLOBAL: (2007)ELVIS GOES GLOBAL:1. Illustrating Music (2007)1. Illustrating MusicHAROLD INNIS, CULTURAL POLICY, AND RESIDUAL MEDIA (2006)HAROLD INNIS, CULTURAL POLICY…Media policy after regulation? (2001)Media policy after regulation?Media and the American Mind: From Morse to McLuhan (1983)Electronic hearth: creating an American television culture (1992)Communication as culture (2011)Marxism and Literature (1978)Communication as Culture: Essays on Media and Society (1992)3.2. MARXISM AND LITERATURE (2006)Towards a computational cultural policy studies: examining infrastructures of taste and participation (2018)The Bias of Communication (1949)Questioning Technology (2012)Humanoid Robots as Teachers and a Proposed Code of Practice (2019)Sociological Paradigms and Organisational Analysis: Elements of the Sociology of Corporate Life (2021)The data-driven leader: developing a big data analytics leadership competency framework (2023)Energy Gen-AI technology framework: A perspective of energy efficiency and business ethics in operation management (2025)The Nature of the Firm (1937)The Production of Space (1992)Regulating the Media: Four Perspectives (2011)The Location of Culture (2012)Being Digital (1995)The Rise of the Network Society (2009)Applied Thematic Analysis (2012)Understanding Media: The Extensions of Man (1964)We have never been modern (1994)We Have Never Been Modern (1994)The McLuhan-Innis Field: In Search of Media Theory (2019)Infrastructure and the Form of Politics (2021)The Presentation of Self in Everyday Life. (1956)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Distinction: A Social Critique of the Judgement of Taste. (1985)The Ethnography of Infrastructure (1999)Decolonizing Methodologies: Research and Indigenous Peoples (2000)Slow Violence and the Environmentalism of the Poor (2011)The Many Faces of K‐pop Music Videos: Revues, Motown, and Broadway in “Twinkle” (2016)Transgressing boundaries between film and music videos: Smarzowski, Kolski, and music videos in Poland (2019)Unruly vision, synesthetic space: drone music videos (2020)
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  • 2014Organizing and reframing technological determinism48 cited
  • 2017Innis’s Infrastructure27 cited
  • 2007MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY14 cited
  • 2001Media policy after regulation?14 cited
  • 2021Credit and Common Sense13 cited
  • 20071. Illustrating Music9 cited
  • 2009Space Bias/Time Bias: Harold Innis, Empire and Communications9 cited
  • 2017A Decade of Change and the Emergence of Digital Media: Analysis of Trade Press Coverage of the Advertising Industry, 2005–20149 cited
  • 2007THE AUDIO-VISION OF FOUND-FOOTAGE FILM AND VIDEO8 cited
  • 2006HAROLD INNIS, CULTURAL POLICY, AND RESIDUAL MEDIA8 cited
  • 2007ELVIS GOES GLOBAL:4 cited
  • 2015Imaged Communities: Putting Canadian Photographic History in its Place2 cited

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