SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
DJ culture in the mix : power, technology, and social change in electronic dance music
2 references·5 citing·28 second hop
DJ culture in the mix : power, technology, and social change in electronic dance music (2013)DJ culture in the mix : power, technology…Music in Everyday Life (2000)Music in Everyday LifeSaying Something: Jazz Improvisation and Interaction (1999)Saying Something: Jazz Improv…Komposition und Produktion von populärer Musik (2019)Komposition und Produktion vo…Angry Noise (2019)Angry NoiseMachine Possession (2018)Machine PossessionThe Birth of Socialist Disc Jockey: Between Music Guru, DIY Ethos and Market Socialism (2016)The Birth of Socialist Disc J…“Surely people who go clubbing don’t read”: Dispatches from the Dancefloor and Clubland in Print (2014)“Surely people who go clubbin…Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)Course in General Linguistics (2017)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Sonic Heritage, Identity and Music-making in Sheffield, “Steel City” (2020)The Structure of Scientific Revolutions (1963)The consequences of modernity (1990)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)Club cultures: music, media and subcultural capital (1996)Club Cultures: Music, Media and Subcultural Capital (1997)Last Night a DJ Saved My Life: The History of the Disc Jockey (1999)Music and Dance: A Theory of the Relations Between Music and Possession. (1991)Musicking: The Meanings of Performing and Listening (2000)Broadening research in gender and music practice (2020)A Grid in Flux: Sound and Timing in Electronic Dance Music (2021)Pop as Process: The Digitalization of Groove, Form and Time (2021)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)The New Grove dictionary of music and musicians (2001)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Discipline and Punish: The Birth of the Prison. (1996)Reassembling the Social (2005)Group creativity: musical performance and collaboration (2006)Distributed creativity: How collective creations emerge from collaboration. (2009)Music and the materialization of identities (2011)
this work references cited by second hop

References

  • 2000Music in Everyday Life2,715 cited
  • 1999Saying Something: Jazz Improvisation and Interaction389 cited

Cited by

  • 2014“Surely people who go clubbing don’t read”: Dispatches from the Dancefloor and Clubland in Print42 cited
  • 2018Machine Possession8 cited
  • 2016The Birth of Socialist Disc Jockey: Between Music Guru, DIY Ethos and Market Socialism3 cited
  • 2019Komposition und Produktion von populärer Musik2 cited
  • 2019Angry Noise2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work