The Sensual Icon: Space, Ritual, and the Senses in Byzantium

Bissera V. Pentcheva

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Byzantine Studies and History Visual Culture and Art Theory Historical and Religious Studies of Rome

Abstract

Contents List of Illustrations Acknowledgments Introduction 1. Imprinted Images: Eulogiai, Magic, and Incense 2. Icons of Sound: Hagia Sophia and the Byzantine Choros 3. Eikon and Identity: The Rise of the Relief Icon in Iconophile Thought 4. The Imprint of Life: Enamel in Byzantium 5. Transformative Vision: Allegory, Poikilia, and Pathema 6. The Icon's Circular Poetics: The Charis of Choros 7. Inspirited Icons, Animated Statues, and Komnenian Iconoclasm Epilogue: The Future of the Past Appendix 1: The Icons in the Monastic Inventories of the Eleventh and Twelfth Centuries Appendix 2: Byzantine Enamel Icons and the West, Eleventh-Twelfth Centuries Notes Bibliography Index

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2014Archaeology and the Senses: Human Experience, Memory, and Affect 2016Infrasecular geographies 2017The Cambridge Intellectual History of Byzantium 2014LITHIC POETICS: POSIDIPPUS AND HIS STONES 2020Liturgy and the Emotions in Byzantium 2013The Veronica, theVultus Christiand the veneration oficons in medieval Rome 2017Astrology 2017The Hesychast Controversy

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