Béla Balázs: Early Film Theory: Visible Man and The Spirit of Film

Abstract

Glossary Editorial Erica Carter Visible Man or the Culture of Film Three Addresses by Way of a Preface I. May We Come In? II. To Directors and Other Fellow Practitioners III. On Creative Enjoyment Visible Man Sketches For a Theory of Film The Substance of Film Type and Physiognomy The Play of Facial Expressions The Close-Up The Face of Things Nature and Naturalness Visual Linkage Supplementary Fragments World View Two Portraits Chaplin, the Ordinary American Asta Nielsen: How She Loves and How She Grows Old The Spirit of Film Seven Years The Productive Camera The Close-Up Set-Up Montage Montage Without Cutting Flight From the Story The Absolute Film Colour Film and Other Possibilities Sound Film Ideological Remarks Appendix: Reviews I: Siegfried Kracauer, 'A new film book' (1930) Reviews II: Rudolf Arnheim, The Spirit of Film (1930)

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