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Handbuch bey dem Generalbasse und der Composition
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Handbuch bey dem Generalbasse und der Composition (1974)Handbuch bey dem Generalbasse und der Com…Kanonmodelle ›Note gegen Note‹ in der Musiktheorie des 18. Jahrhunderts (2022)Kanonmodelle ›Note gegen Note…Feindliche Übernahme. Gottfried Weber, Adolf Bernhard Marx und die bürgerliche Harmonielehre des 19. Jahrhunderts (2022)Feindliche Übernahme. Gottfri…The Cambridge Haydn Encyclopedia (2019)The Cambridge Haydn Encyclope…Rameau’s Changing Views on Supposition and Suspension (2012)Rameau’s Changing Views on Su…Historisches Panoptikum der Satzmodelle (2007)Historisches Panoptikum der S…The Stretto Principle: Some Thoughts on Fugue as Form (1990)The Stretto Principle: Some T…The conceptgalantin the 18th century (1989)The conceptgalantin the 18th …The Tritone as an Equivalency: A Contextual Perspective for Approaching Schoenberg's Music (1985)The Tritone as an Equivalency…College Music Symposium (1962)The New Grove Dictionary of Music and Musicians (1981)Beethoven's "Mozart" Quartet (1992)The New Grove dictionary of music and musicians (2001)Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition (2011)Visualizing music similarity: clustering and mapping 500 classical music composers (2019)The art of poetry (1961)Monadology and Other Philosophical Essays (1965)Leibniz: An Introduction to his Philosophy. (1980)Style and Idea (1950)Theory of Harmony (1978)Harmony and Voice Leading (1982)Half‐Diminished Seventh Chords and Their Contexts (2020)Über Sinn und Bedeutung (1892)The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)Rameau’s Theory of Supposition and French Baroque Harmonic Practice (2016)ON FEDELE FENAROLI'S PEDAGOGY: AN UPDATE (2018)Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (2019)Versuch einer Anleitung zur Composition (1969)Introduction to Schenkerian Analysis (1983)Die Kunst des reinen Satzes in der Musik (1988)›Fallende Quintanstiege‹. Ein Modellversuch (2010)Formfunktionen der Sonatenform. Ein Beitrag zur Sonatentheorie auf der Grundlage einer Kritik an William E. Caplins Verständnis von Formfunktionen (2018)Distinction: A Social Critique of the Judgement of Taste. (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Reassembling the Social (2005)MARX'S 'LEHRE' AND THE SCIENCE OF EDUCATION: TOWARDS THE RECUPERATION OF MUSIC PEDAGOGY (1998)Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory (2003)Schönberg und die Folgen (2019)Counterpoint in Composition (1969)THE FANTASIA AS MUSICAL IMAGE (1974)
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  • 1989The conceptgalantin the 18th century20 cited
  • 2019The Cambridge Haydn Encyclopedia18 cited
  • 2012Rameau’s Changing Views on Supposition and Suspension16 cited
  • 1990The Stretto Principle: Some Thoughts on Fugue as Form8 cited
  • 1985The Tritone as an Equivalency: A Contextual Perspective for Approaching Schoenberg's Music7 cited
  • 2007Historisches Panoptikum der Satzmodelle6 cited
  • 2022Feindliche Übernahme. Gottfried Weber, Adolf Bernhard Marx und die bürgerliche Harmonielehre des 19. Jahrhunderts4 cited
  • 2022Kanonmodelle ›Note gegen Note‹ in der Musiktheorie des 18. Jahrhunderts4 cited

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