An introduction to television documentary: Confronting reality

Richard Kilborn · John Izod

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Cinema and Media Studies Cinema History and Criticism Literature, Film, and Journalism Analysis

Abstract

Acknowledgements A note on the availability of recordings Introduction Part I: Documentary Debates 1. Mapping out the terrain: What is documentary? 2. How real can you get?: Realism and documentary Part II: The Documentary Text 3. Shaping the real: Modes of documentary 4. Tackling the text: Documentary analyses Part III: Fact, Fiction and Drama 5. Telling a story: Fact, fiction and documentary 6. Making a drama out of a crisis: The drama-documentary and related forms Part IV: Documentary Production and Reception 7. Just do it our way!: Institutional control and production economics 8. How do they do it?: Aspects of documentary production 9. Is there anyone out there?: Audiences for documentary Notes Bibliography Index

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2004Documentary Screens: Non-Fiction Film and Television 2010The ‘creative treatment of actuality’: Rationalizing and reconceptualizing the notion of creativity for documentary practice 2018Child Protection in England, 1960–2000 2013The animals went in two by two: Heteronormativity in television wildlife documentaries 1998Shaping the Real 1998Truth In Photography: Perception, Myth And Reality In The Postmodern World 2013British Docudrama 2010Creative Practice Research: Interrogating creativity theories through documentary practice

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