Nineteenth-Century British Music Studies

Abstract

Part 1 Xenophilia in British musical history. Part 2 Historiography: history, historicism and the sublime analogy Parry as historiographer. Part 3 Instruments performing ensembles: who bought concertinas in the winter of 1851? violin pedagogy in England during the first half of the 19th century, or Incomplete Tutor for the Violin the practice and context of a private Victorian brass band. Part 4 The Wesley family: the obitury of Samuel Wesley the unknown Wesley - the early instrumental and secular vocal music of Samuel Sebastian Wesley. Part 5 Local music history: musical life in the second city of the Empire music in 19th century Oxford music making in a Yorkshire country house. Part 6 Repertoire, genre and concert life: Personifying the Saviour? - English oratorio and the representation of the words of Christ the benefit concert in 19th century London - from tax on the nobility to monstrous nuisance. Part 7 Analysis and criticism: towards a tradition of music analysis in Britain in the 19th century James William Davison, critic, crank and chronicler - a re-evaluation.

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