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Performing Medieval Narrative
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Performing Medieval Narrative (2005)Performing Medieval NarrativePerformance, Memory, and Oblivion in the Parson's Tale (2016)Performance, Memory, and Obli…The Search for the Holy Grail: Arthurian Lacunae in the England of Edward III (2011)The Search for the Holy Grail…Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579 (2011)Performative Reading and Rece…Performance matters in the "Libro de Buen Amor" (2011)Performance matters in the "L…Written Composition and (Mem)oral Decomposition: The Case of "The Suffolk Tragedy" (2009)Written Composition and (Mem)…The History of Medieval Theatre / Theatre of Medieval History: Dramatic Documents and the Performance of the Past (2009)The History of Medieval Theat…Conversational Narration – Oral Narration (2009)Conversational Narration – Or…Tales with Guts: A “Rasic” Aesthetic in Medieval French Storytelling (2008)Tales with Guts: A “Rasic” Ae…Chaucer Appropriated: The Troilus Frontispiece as Lancastrian Propaganda (2008)Chaucer Appropriated: The Tro…Teaching Arthur through Performance (2005)Teaching Arthur through Perfo…The Complete Works of Geoffrey Chaucer (1934)The history of the King's works (1963)The Riverside Chaucer (1986)Erec and Enide (1992)Public Reading and the Reading Public in Late Medieval England and France (1999)Orality and Performance in Early French Romance (2000)The Semiotics of Theatre and Drama (2003)Drama/Theatre/Performance (2004)The Medieval Space: Early Medieval Documents as Stages (2018)The Minor Poems of John Lydgate (1934)Book production and publishing in Britain, 1375-1475 (1990)The Cambridge History of Medieval English Literature (1999)Where Chaucer Got His Pulpit: Audience and Intervisuality in the Troilus and Criseyde Frontispiece (2010)The Sociable Text of the “Troilus Frontispiece”: A Different Mode of Textuality (2014)The Emergence of Prose: An Essay in Prosaics (1991)Space between Words: The Origins of Silent Reading (2001)Dumbstruck: A Cultural History of Ventriloquism (2002)The Black-Letter Broadside Ballad (1919)Adam Fox. Oral and Literate Culture in England 1500-1700. (Oxford Studies in Social History.) New York: Oxford University Press. 2000. Pp. xiii, 497. $74.00. ISBN 0-19-820512-0. (2002)The English and Scottish Popular Ballads (2014)Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth-Century France (1989)From memory to written record: England 1066–1307 (1994)Poetry as performance: Homer and beyond (1997)Language in the inner city: studies in the Black English Vernacular. By William Labov. Philadelphia: University of Pennsylvania Press, 1972. Pp. xxiv, 412. $6.95. (1975)Narrative Analysis: Oral Versions of Personal Experience1 (1997)Critical Discourse Analysis (2015)Narrative gaslighting (2024)Oral Delivery in the Middle Ages (1936)The Ethics of Reading in Manuscript Culture (1994)The Book of Memory: A Study of Memory in Medieval Culture (1991)The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200 (2002)
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Cited by

  • 2009Conversational Narration – Oral Narration27 cited
  • 2009The History of Medieval Theatre / Theatre of Medieval History: Dramatic Documents and the Performance of the Past8 cited
  • 2008Chaucer Appropriated: The Troilus Frontispiece as Lancastrian Propaganda6 cited
  • 2011Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 5793 cited
  • 2011Performance matters in the "Libro de Buen Amor"2 cited
  • 2011The Search for the Holy Grail: Arthurian Lacunae in the England of Edward III2 cited
  • 2005Teaching Arthur through Performance2 cited
  • 2008Tales with Guts: A “Rasic” Aesthetic in Medieval French Storytelling2 cited
  • 2009Written Composition and (Mem)oral Decomposition: The Case of "The Suffolk Tragedy"2 cited
  • 2016Performance, Memory, and Oblivion in the Parson's Tale2 cited

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