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Bidding for the Mainstream?
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Bidding for the Mainstream? (2004)Bidding for the Mainstream?The Cambridge History of Black and Asian British Writing (2019)The Cambridge History of Blac…Looking Back, Looking Forward (2019)Looking Back, Looking ForwardEngaging the Public (2019)Engaging the PublicScreening early modern drama: beyond Shakespeare (2014)Screening early modern drama:…Film, national cinema, and migration (2013)Film, national cinema, and mi…Introduction: Tracing the urban imaginary in the postcolonial metropolis and the “new” metropolis (2011)Introduction: Tracing the urb…The Dark Side of Hybridity: Contemporary Black and Asian British Cinema (2010)The Dark Side of Hybridity: C…Migration and Cinematic Process in Post-Cold War Europe (2010)Migration and Cinematic Proce…Locating Migrant and Diasporic Cinema in Contemporary Europe (2010)Locating Migrant and Diaspori…Coming of Age in ‘the Hood’: The Diasporic Youth Film and Questions of Genre (2010)Coming of Age in ‘the Hood’: …On Unthinking Eurocentrism: Multiculturalism and the Media (1995)Modernity at Large: Cultural Dimensions of Globalization. (1998)An Accented Cinema (2001)Black British cultural studies : a reader (1996)Cities Without Cities (2003)Nordic Journal of African Studies (2014)Race, Culture and Difference (1992)The Location of Culture (2012)The End of History and the Last Man (1992)The End of History and the Last Man. (1992)Londoners and Outlanders: Polish Labour Migration through the European Lens (2013)Border aesthetics and catachresis in Ali Abbasi’s Gräns/Border (2018) (2019)2. Old And New Identities, Old And New Ethnicities (1991)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Intercultural Film: Fiction Film as Audio-Visual Documents of Interculturality (2017)Culture and Imperialism. (1994)Representation: Cultural representations and signifying practices. (1997)The Cultural Politics of Emotion (2014)The Dialogic Imagination: Four Essays (1982)Powers of Horror: An Essay on Abjection (1984)Subculture: The Meaning of Style (1995)Not Making a Movie: The Livecasting of Shakespeare Stage Productions by The Royal National Theatre and The Royal Shakespeare Company (2016)
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Cited by

  • 2010Locating Migrant and Diasporic Cinema in Contemporary Europe57 cited
  • 2019The Cambridge History of Black and Asian British Writing36 cited
  • 2019Engaging the Public26 cited
  • 2014Screening early modern drama: beyond Shakespeare26 cited
  • 2019Looking Back, Looking Forward19 cited
  • 2010Migration and Cinematic Process in Post-Cold War Europe16 cited
  • 2010The Dark Side of Hybridity: Contemporary Black and Asian British Cinema13 cited
  • 2011Introduction: Tracing the urban imaginary in the postcolonial metropolis and the “new” metropolis8 cited
  • 2010Coming of Age in ‘the Hood’: The Diasporic Youth Film and Questions of Genre8 cited
  • 2013Film, national cinema, and migration7 cited

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