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Folklore, cultural performances, and popular entertainments : a communications-centered handbook
0 references·16 citing·58 second hopsampled
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  • 2003Making Place, Making Race: Performances of Whiteness in the Jim Crow South222 cited
  • 2005Working-Class Children’s Experience through the Prism of Personal Storytelling115 cited
  • 2008Changing Classroom Practice Through the English National Literacy Strategy: A Micro-Interactional Perspective98 cited
  • 2016Defining Pantomime for Language Evolution Research72 cited
  • 2016Five Ms for sociolinguistic change69 cited
  • 1999Chapter 5: Transforming Transfer: Unruly Children, Contrary Texts, and the Persistence of the Pedagogical Order64 cited
  • 2006On Saying It Right (Write): "Fix-Its" in the Foundations of Learning to Write61 cited
  • 1995Magic Mirrors and the Seria Stage: Thoughts toward a Ritual View56 cited
  • 2002Performance at the Nexus of Gender, Power, and Desire: Reconsidering Bauman's Verbal Art from the Perspective of Gendered Subjectivity as Performance46 cited
  • 2008On the Political Uses of Folklore: Performance and Grassroots Feminist Activism in India45 cited
  • 2013Tradition in the Twenty-First Century: Locating the Role of the Past in the Present45 cited
  • 2016Transformation, meaning-making and identity creation through folklore tourism: the case of the Robin Hood Festival43 cited
  • 2014Listening genres: The emergence of relevance structures through the reception of sound

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41 cited
  • 1993The Maleny ‘Fire Event’: Rehearsals Toward Neo‐liminality39 cited
  • 2000Belief and the American Folk38 cited
  • 2004Passing, Cultural Performance, and Individual Agency: Performative Reflections on Black Masculine Identity37 cited