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E.H.Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation (First Princeton/ Bollingen Paperback Edition) (特集 研究書・わたしの一冊)
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E.H.Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation (First Princeton/ Bollingen Paperback Edition) (特集 研究書・わたしの一冊) (1999)E.H.Gombrich, Art and Illusion: A Study i…Toward a Naturalized Aesthetics of Film Music (2019)Toward a Naturalized Aestheti…Medialness and the Perception of Visual Art (2017)Medialness and the Perception…Gerrit Dou’s Enchanting Trompe- l’Oeil : Virtuosity and Agency in Early Modern Collections (2015)Gerrit Dou’s Enchanting Tromp…Character Construction in Brazilian Documentary Films: Modern Cinema, Classical Narrative and Micro-Realism (2009)Character Construction in Bra…Theory of Mind and Fictions of Embodied Transparency (2008)Theory of Mind and Fictions o…Empire of Comic Visions: Japanese Cartoon Journalism and its Pictorial Statements on Korea, 1876–1910 (2006)Empire of Comic Visions: Japa…Violence and Psychophysiology in Horror Cinema (2004)Violence and Psychophysiology…Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter (2004)Freud's Worst Nightmare: Dini…Foreword: “What Lies Beneath?” (2004)Foreword: “What Lies Beneath?”Explaining the Uncanny in The Double Life of Véronique (2004)Explaining the Uncanny in The…Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value (2004)Doing Things with Theory: Fro…Afterword: Psychoanalysis and the Horror Film (2004)Afterword: Psychoanalysis and…“What's the Matter with Melanie?”: Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema (2004)“What's the Matter with Melan…“Ultimate Formlessness”: Cinema, Horror, and the Limits of Meaning (2004)“Ultimate Formlessness”: Cine…Manifestations of the Literary Double in Modern Horror Cinema (2001)Manifestations of the Literar…Visual Communication: A Writers Guide (2000)Visual Communication: A Write…Visual Pleasure and Narrative Cinema (1975)Powers of Horror: An Essay on Abjection (1984)The Constitution of Society. Outline of the Theory of Structuration (1984)Aural Atavism:The Witch's Taleand Gothic Horror Radio (2012)Mindblindness: an essay on autism and theory of mind (1995)Subculture: The Meaning of Style (1995)Neurophysiological mechanisms underlying the understanding and imitation of action (2001)Social Minds in Fiction and Criticism (2011)Connecting the dots between fantasy and reality: The social psychology of our engagement with fictional narrative and its functional value (2016)Emotion and Narrative (2018)Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)Understanding Media: The Extensions of Man (1964)War without Mercy: Race and Power in the Pacific War (1986)Frames of Mind: The Theory of Multiple Intelligences (1984)Genre as social action (1984)Reading images: the grammar of visual design (1996)Visual Metonymy and Synecdoche: Rhetoric for Stage-Setting Images (2005)‘What Will I Be When I Grow up?’ Children’s Preferred Future Occupations and Their Stereotypical Views (2013)Raman identification of cuneiform tablet pigments: emphasis and colour technology in ancient Mesopotamian mid-third millennium (2017)The Unknown Piano Teacher (2010)The Cultural Politics of Horror Film Criticism (2014)The pain in Spain: an analysis of horror auteur Jaume Balagueró’s films (2016)Between self and other : abjection and unheimlichkeit in the films of David Lynch (2011)Horror and Psychoanalysis (2014)Medieval Saints and Modern Screens (2017)Medieval Saints and Modern Screens (2017)Para-Paracinema (2007)Representing (Repressed) Homosexuality in the Pre-Stonewall Hollywood Homo-Military Film (2007)Women’s Cinema as Counterphobic Cinema (2007)
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  • 2008Theory of Mind and Fictions of Embodied Transparency72 cited
  • 2000Visual Communication: A Writers Guide35 cited
  • 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value16 cited
  • 2004Foreword: “What Lies Beneath?”12 cited
  • 2006Empire of Comic Visions: Japanese Cartoon Journalism and its Pictorial Statements on Korea, 1876–191010 cited
  • 2004Explaining the Uncanny in The Double Life of Véronique9 cited
  • 2001Manifestations of the Literary Double in Modern Horror Cinema9 cited
  • 2004Afterword: Psychoanalysis and the Horror Film9 cited
  • 2004Violence and Psychophysiology in Horror Cinema8 cited
  • 2004Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter6 cited
  • 2004“What's the Matter with Melanie?”: Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema5 cited
  • 2017Medialness and the Perception of Visual Art5 cited
  • 2009Character Construction in Brazilian Documentary Films: Modern Cinema, Classical Narrative and Micro-Realism5 cited
  • 2015Gerrit Dou’s Enchanting Trompe- l’Oeil : Virtuosity and Agency in Early Modern Collections4 cited

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  • 2004“Ultimate Formlessness”: Cinema, Horror, and the Limits of Meaning4 cited
  • 2019Toward a Naturalized Aesthetics of Film Music3 cited