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Melodramatic Tactics: Theatricalized Dissent in the English Marketplace, 1800-1885
0 references·16 citing·43 second hop
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Cited by

  • 2010Democracy's Spectacle86 cited
  • 2007Voice and the Victorian Storyteller53 cited
  • 2002Sensations of Celebrity: Jack Sheppard and the Mass Audience51 cited
  • 2007Writing against revolution: literary conservatism in Britain, 1790-183246 cited
  • 2007Byron in Theory and Theatre Land: Finding the Right Address44 cited
  • 2002Feeling Public: Sensation Theater, Commodity Culture, and the Victorian Public Sphere42 cited
  • 2002In the Theater of Counterrevolution: Loyalist Association and Conservative Opinion in the 1790s40 cited
  • 1998Blood on the Tracks: Sensation Drama, the Railway, and the Dark Face of Modernity40 cited
  • 2012Darkness Visible: The Early Melodrama of British Imperialism and the Commodification of History in Sheridan’s Pizarro33 cited
  • 2008Melodrama and its Criticism: An Essay in Memory of Sally Ledger30 cited
  • 2012Image-Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience28 cited
  • 2007The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity28 cited
  • 2001Who's Afraid of the Cultural Turn?25 cited
  • 2005A voice without a body: the phonographic logic ofHeart of Darkness22 cited

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  • 2018The Victorian Age, 1832–190120 cited
  • 2022Emotions and Surgery in Britain, 1793–191219 cited