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Music aesthetics and critical theory
13 references·0 citing·37 second hop
Music aesthetics and critical theory (2009)Music aesthetics and critical theoryMusic, Philosophy, and Modernity (2007)Music, Philosophy, and Modern…The Philosophy of Music (2004)The Philosophy of MusicAesthetics and subjectivity: From Kant to Nietzsche (2003)Aesthetics and subjectivity: …Introduction to a Philosophy of Music (2002)Introduction to a Philosophy …Conventional Wisdom: The Content of Musical Form (2000)Conventional Wisdom: The Cont…Conventional Wisdom (2000)Conventional WisdomThe Imaginary Museum of Musical Works (1994)The Imaginary Museum of Music…The Imaginary Museum of Musical Works (1994)The Imaginary Museum of Music…The Idea of Absolute Music (1991)The Idea of Absolute MusicMusic as Cultural Practice, 1800-1900 (1991)Music as Cultural Practice, 1…Aesthetics and subjectivity from Kant to Nietzsche (1991)Aesthetics and subjectivity f…Music in European Thought 1851–1912 (1988)Music in European Thought 185…The Aesthetics of Music (1981)The Aesthetics of MusicReason, Truth and History (1981)Contingency, Irony, and Solidarity (1989)Inquiries into Truth and Interpretation (2001)History of Modern Aesthetics (2005)The Persistence of Subjectivity (2005)Space as a mode of political thinking (2012)Mind, Language and Reality (1975)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)The Dynamics of Organizational Identity (2002)Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance (2003)Long-term musical group interaction has a positive influence on empathy in children (2012)Poetry, Language, Thought (1972)Toward an Aesthetic of Reception. (1982)Noise: The Political Economy of Music (1986)Analyzing Popular Music (2003)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)Bach's Dialogue with Modernity: Perspectives on the Passions (2010)Music and Ethical Responsibility (2014)Romanticism and the Re-Invention of Modern Religion (2019)Theorizing Musical Meaning (2001)The Oxford Handbook of The American Musical (2011)Action and Agency Revisited (2013)The Complexity of Improvisation and the Improvisation of Complexity: Social Science, Art and Creativity (2003)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)Classical music as enforced Utopia (2016)Musical Understandings and Other Essays on the Philosophy of Music (2011)Musical improvisation skill in a prospective partner is associated with mate value and preferences, consistent with sexual selection and parental investment theory: Implications for the origin of music (2017)Choreography Invisible (2020)Creativity, identity and healing: participants' accounts of music therapy in cancer care (2007)Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex (2012)Sound, Silence, Music: Power (2014)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Music Education and Cultural Identity (2005)Performing History: The Importance of Occasions (2005)How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century (1998)Psychology for Musicians (2007)
this work references cited by second hop

References

  • 1981The Aesthetics of Music399 cited
  • 1991Aesthetics and subjectivity from Kant to Nietzsche374 cited
  • 2002Introduction to a Philosophy of Music307 cited
  • 2000Conventional Wisdom: The Content of Musical Form250 cited
  • 1991Music as Cultural Practice, 1800-1900230 cited
  • 2007Music, Philosophy, and Modernity211 cited
  • 1991The Idea of Absolute Music186 cited
  • 1994The Imaginary Museum of Musical Works185 cited
  • 2000Conventional Wisdom179 cited
  • 1994The Imaginary Museum of Musical Works162 cited
  • 2003Aesthetics and subjectivity: From Kant to Nietzsche111 cited
  • 2004The Philosophy of Music84 cited
  • 1988Music in European Thought 1851–191282 cited

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