"Women and the Material Culture of Needlework and Textiles, 1750�1950 "

Abstract

Contents: Introduction: threading women, Maureen Daly Goggin Identity, Embroidery, and Sewing: The needle as the pen: intentionality, needlework, and the production of alternate discourses of power, Heather Pristash, Inez Schaechterle and Sue Carter Wood Stitching a life in 'pen of steele and silken inke': Elizabeth Parker's circa 1830 sampler, Maureen Daly Goggin 'Tattered to pieces': Amy Fiske's sampler and the changing roles of women in antebellum New England, Aimee E. Newell 'I dearly loved that machine': women and the objects of home sewing in the 1940s, Marcia McLean. Cultural Identity, Piecing, Quilting, and Lace Making: Turn-of-the-century quilts: embodied objects in a web of relationships, Beverly Gordon and Laurel Horton Crazy quilts and controlled lives: consumer culture and the meaning of women's domestic work in the American Far West, Cynthia Culver Prescott Native quilting: history, traditions, and studies, Marsha MacDowell Mundillo and identity: the revival and transformation of handmade lace in Puerto Rico, Ellen Fernandez-Sacco Invisible seamstresses: needlework in Venetian convents from the 15th to the 18th century, Isabella Campagnol. Politics and Design in Yarn and Thread: Textile mills and the political economy of domestic womanhood in Elizabeth Stuart Phelps's The Silent Partner, Laura A. Smith Recovering American women industrial designers: Florence Cory as a 19th-century case study, Sarah Johnson Hooking magic: transforming women's handicraft into Art, Cynthia Fowler American women and wartime hand knitting, 1750-1950, Susan M. Strawn Bibliography Index.

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