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Mad Loves: Women and Music in Offenbach's "Les Contes d'Hoffmann"
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Cited by

  • 2018Female Singers on the French Stage, 1830–184831 cited
  • 2010Operaen abyme: The prodigious ritual of Korngold'sDie tote Stadt20 cited
  • 2020Virtuosity, the Violin, the Devil ... What Really Made Paganini "Demonic"?14 cited
  • 2005The Myth of Venice in Nineteenth-Century Opera9 cited
  • 2012Genre and poetics8 cited
  • 2012The dramaturgy of opera5 cited
  • 2012‘An exotic and irrational entertainment’: opera and our others; opera as other4 cited
  • 2012The operatic work: texts, performances, receptions and repertories4 cited
  • 2011Marvelous Machines: Revitalizing Enlightenment Opera4 cited
  • 2001Opera and music drama4 cited
  • 2011Stimulating Music: The Pleasures and Dangers of “Electric Music,” 1750–19003 cited
  • 2010Back to (the music of) the future: Aesthetics of technology in Berlioz'sEuphoniaandDamnation de Faust3 cited
  • 2020Bach and the Dance of Humankind2 cited
  • 2021Narrating Masculinity in the Dance Contest from Ravel'sDaphnis et Chloé2 cited
  • 2020Musicology and Dance2 cited

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