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Cited by

• 2020Big Ears: Listening for Gender in Jazz Studies72 cited
• 2004Bringing Music to the People: Race, Urban Culture, and Municipal Politics in Postwar Los Angeles58 cited
• 2009Big ears: listening for gender in jazz studies47 cited
• 2008"Bridging the Gap": Creed Taylor, Grover Washington Jr., and the Crossover Roots of Smooth Jazz35 cited
• 2014Black Women Working Together: Jazz, Gender, and the Politics of Validation31 cited
• 2008IDENTITY FOR SALE:26 cited
• 1998Replacing L.A.: Mi Familia, Devil In a Blue Dress, and Screening the Other Los Angeles20 cited
• 2002A Thin Blue Line down Central Avenue: The LAPD and the Demise of a Musical Hub19 cited
• 2008Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions19 cited
• 2012Sam Cooke as Pop Album Artist—A Reinvention in Three Songs14 cited
• 2011Seeking John Carter and Bobby Bradford: Free Jazz and Community in Los Angeles12 cited
• 2004Nuestra Los Angeles12 cited
• 2010“DETROIT WAS HEAVY”: MODERN JAZZ, BEBOP, AND AFRICAN AMERICAN EXPRESSIVE CULTURE9 cited
• 2014Not One to Toot Her Own Horn(?): Melba Liston’s Oral Histories and Classroom Presentations5 cited