SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The musician as interpreter
0 references·6 citing·22 second hop
The musician as interpreter (2008)The musician as interpreterBeing True to Works of Music (2020)Being True to Works of MusicWhy Gamers Are Not Performers (2018)Why Gamers Are Not PerformersThe Jazz Solo as Virtuous Act (2016)The Jazz Solo as Virtuous ActAuthentic performances on musical works (2012)Authentic performances on mus…Antagonism and Mutual Dependency. Critial Models of Performance and “Piano Interpretation Schools” (2011)Antagonism and Mutual Depende…You're There and You're Not There: Musical Borrowing and Cavell's “Way” (2010)You're There and You're Not T…Glenn Gould (1997)Critical models: interventions and catchwords (1998)Aesthetic Understanding (2022)Philosophical Passages: Wittgenstein, Emerson, Austin, Derrida. (1996)5 Philosophy the Day after Tomorrow (2005)Listen: A History of Our Ears (2008)Authenticities: Philosophical Reflections on Musical Performance (1996)Musical works and performances: a philosophical exploration (2002)Themes in the philosophy of music (2003)Virtues and Vices and Other Essays in Moral Philosophy (1979)Thinking in Jazz (1994)A Theory of Virtue (2006)Four Studies of Charlie Parker's Compositional Processes (2018)The Grasshopper: Games, Life and Utopia (1978)Musical Works and Performances (2001)The Art of Videogames (2009)Philosophical Investigations. (1954)Sincerity and Authenticity (1972)Stanford Encyclopedia of Philosophy (2016)Everyone Can Change a Musical Work (2021)The Heart of Classical Work-Performance (2021)Singularities (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2020Being True to Works of Music44 cited
  • 2018Why Gamers Are Not Performers21 cited
  • 2016The Jazz Solo as Virtuous Act9 cited
  • 2010You're There and You're Not There: Musical Borrowing and Cavell's “Way”6 cited
  • 2012Authentic performances on musical works4 cited
  • 2011Antagonism and Mutual Dependency. Critial Models of Performance and “Piano Interpretation Schools”3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work