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Men and Popular Music in Algeria: The Social Significance of Rai
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Men and Popular Music in Algeria: The Social Significance of Rai (1999)Men and Popular Music in Algeria: The Soc…On the Origins of Pop Rai (2019)On the Origins of Pop RaiTrending classic: the cultural register of Moroccan Malhun poetry (2016)Trending classic: the cultura…Beur/Maghribi musical interventions in France: rai and rap (2015)Beur/Maghribi musical interve…Rhythms and Rhymes of Life (2011)Rhythms and Rhymes of LifeClaiming Space: Discourses on Gender, Popular Music, and Social Change (2011)Claiming Space: Discourses on…Rap on ‘l’Avenue’; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene (2010)Rap on ‘l’Avenue’; Islam, aes…Playing Out: Women Instrumentalists and Women's Ensembles in Contemporary Tunisia. (2010)Playing Out: Women Instrument…Mizrahi Subaltern Counterpoints: Sderot's Alternative Bands (2007)Mizrahi Subaltern Counterpoin…The Language Planning Situation in Algeria (2005)The Language Planning Situati…The Evolution of Rai Music (2005)The Evolution of Rai MusicFrom Rap to Raï in the Mixing Bowl: Beur Hip‐Hop Culture and Banlieue Cinema in Urban France (2003)From Rap to Raï in the Mixing…Generational Change in Berber Women's Song of the Anti-Atlas Mountains, Morocco (2002)Generational Change in Berber…?Stealing Our Heritage??: Women's Folksongs, Copyright Law, and the Public Domain in Algeria (2002)?Stealing Our Heritage??: Wom…Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Gender Trouble: Feminism and the Subversion of Identity (1991)Freedom, constraint, or both? Readings on popular music and gender (2011)Musical Gentrification (2020)Musikkforlagets rolle i den digitale musikkbransjen (2022)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)The Invention of Tradition (1986)Something for everyone? : changes and choices in the ethno-party scene in urban nightlife (2011)The Interpretation of Cultures (2017)Diglossia (1959)Peasants into Frenchmen (1976)Nations and Nationalism. (1984)Language maintenance and spread: French in Algeria (2007)Competition between four “world” languages in Algeria (2014)‘There is no race here’: on blackness, slavery, and disavowal in North Africa and North African studies (2022)Language, Counter-Memory, Practice (1978)The Nation and Its Fragments (1994)Natural Histories of Discourse. (1997)Intellectual Property and Cultural Appropriation (2010)What We Should Have Learned from Américo Paredes: The Politics of Communicability and the Making of Folkloristics (2012)Marxism and the philosophy of language (1973)Unnatural Emotions: Everyday Sentiments on a Micronesian Atoll and Their Challenge to Western Theory (1988)Language ideologies: Practice and theory. Ed. by Bambi B. Schieffelin, Kathryn A. Woolard, and Paul V. Kroskrity (Oxford studies in anthropological linguistics 16.) Oxford: Oxford University Press, 1998. Pp. xiii, 338. (1999)Moving and Dwelling: Building The Moroccan Ashelhi Homeland (2002)Berber language ideologies, maintenance, and contraction: Gendered variation in the indigenous margins of Morocco (2006)COLONIAL STATE-BUILDING AND THE NEGOTIATION OF ARAB AND BERBER IDENTITY IN PROTECTORATE MOROCCO (2011)Black Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)The Anthropology of Globalization: A Reader (2002)Making Music, Making Muslims : A Case Study of Islamic Hip Hop and the Discursive Construction of Muslim Identities on the Internet (2011)Muslimhiphop.com: Constructing Muslim Hip Hop Identities on the Internet (2013)Rap and Mizoued Music: Claiming a Space for Dissent and Protest in Post-Arab Spring Tunisia (2020)The sublime object of ideology (1990)Identity : community, culture, difference (2003)Culture and Imperialism (2017)Bridging differences: Effective intergroup communication (1992)Language mixing in rai music: localisation or globalisation? (2002)Bridging Differences: Effective Intergroup Communication (2004)Music and Islam in the Saharawi refugee camps of the Hamada desert, Algeria: the practice of medej as a syncretic musical evolution (2016)Relocating Music: Popular Music in the Streaming Era as Cultural Identity Shaper Among Israeli Immigrants to the United States (2024)Modernity and Self-Identity, Self and Society in the Late Modern Age (1992)Spectacular Vernaculars (1995)Post-Colonial Cultures in France (1998)The Signature of Hip Hop: A Sociological Perspective (2011)The National Museum of Immigration History (Paris, France), neo-colonialist representations, silencing, and re-appropriation (2013)From Ritual to Theatre: The Human Seriousness of Play (1983)Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco (2017)
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Cited by

  • 2011Claiming Space: Discourses on Gender, Popular Music, and Social Change60 cited
  • 2005The Language Planning Situation in Algeria50 cited
  • 2003From Rap to Raï in the Mixing Bowl: Beur Hip‐Hop Culture and Banlieue Cinema in Urban France32 cited
  • 2002Generational Change in Berber Women's Song of the Anti-Atlas Mountains, Morocco30 cited
  • 2016Trending classic: the cultural register of Moroccan Malhun poetry28 cited
  • 2002?Stealing Our Heritage??: Women's Folksongs, Copyright Law, and the Public Domain in Algeria19 cited
  • 2010Rap on ‘l’Avenue’; Islam, aesthetics, authenticity and masculinities in the Tunisian rap scene13 cited
  • 2011Rhythms and Rhymes of Life12 cited
  • 2005The Evolution of Rai Music11 cited
  • 2007Mizrahi Subaltern Counterpoints: Sderot's Alternative Bands8 cited
  • 2015Beur/Maghribi musical interventions in France: rai and rap7 cited
  • 2010Playing Out: Women Instrumentalists and Women's Ensembles in Contemporary Tunisia.6 cited
  • 2019On the Origins of Pop Rai3 cited

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