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Cited by

• 2014Romantic Reformers and the Antislavery Struggle in the Civil War Era60 cited
• 2012The Cambridge Companion to African American Theatre55 cited
• 2019The Press and Brazilian Narratives ofUncle Tom's Cabin:Slavery and the Public Sphere in Rio de Janeiro, ca. 185547 cited
• 2009Boucicault's misdirections: Race, transatlantic theatre and social position inTheOctoroon31 cited
• 2014Melodrama On and Off the Stage28 cited
• 2018The Cambridge Companion to English Melodrama25 cited
• 2009Pictures in Bleak Houses: Slavery and the Aesthetics of Transatlantic Reform25 cited
• 2011Abolitionism’s Resonant Bodies: The Realization of African American Performance24 cited
• 2011British Illustrated Editions of “Uncle Tom's Cabin”: Race, Working-Class Literacy, and Transatlantic Reprinting in the 1850s21 cited
• 2011The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–187020 cited
• 2013British Illustrated Editions of Uncle Tom's Cabin: Race, Working-Class Literacy, and Transatlantic Reprinting in the 1850s20 cited
• 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited
• 2016Black Swan/White Raven: the racial politics of Elizabeth Greenfield’s American concert career, 1851–185517 cited