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Mimesis, Masochism, and Mime
0 references·12 citing·36 second hop
Mimesis, Masochism, and Mime (1997)Mimesis, Masochism, and MimeIntroduction: Queer Dramaturgies (2016)Introduction: Queer Dramaturg…‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music (2014)‘Ga, ga, ooh-la-la’: the chil…How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence (2009)How Do You Make Yourself a Th…Beyond imitation and representation: extended comprehension of mimesis in drama education (2008)Beyond imitation and represen…THE ARTIFICE OF ETERNITY: A STUDY OF LITURGICAL AND THEATRICAL PRACTICES IN BYZANTIUM (2006)THE ARTIFICE OF ETERNITY: A S…Rabbits, Machines, and the Ontology of Performance (2005)Rabbits, Machines, and the On…The Theater in Modernist Thought (2002)The Theater in Modernist Thou…The sound of meaning: theories of voice in twentieth-century thought and performance (2002)The sound of meaning: theorie…The Bottom of Desire in Suzan-Lori Parks's Venus (2002)The Bottom of Desire in Suzan…Modernism and Anti-theatricality: An Afterword (2001)Modernism and Anti-theatrical…Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts (2000)Wounds of Repetition in the A…Performing Degree Zero: Barthes, Body, Theatre (2000)Performing Degree Zero: Barth…Writing and Difference (1980)Mimesis and alterity: a particular history of the senses (1993)Liveness: performance in a mediatized culture (2008)Frame Analysis: An Essay on the Organization of Experience. (1975)Bodies That Matter (2011)Elements of Semiology (1967)The Pleasure of the Text (1973)Image-Music-Text (1977)Time and narrative (1986)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The material bodies of medieval religious performance in england (2006)Ambivalent Entertainments: James Luna, Performance, and the Archive (2009)The Romantic Literary Lecture in Britain (2019)Metatheatre: A New View Of Dramatic Form (1964)Theory of the Film: Character and Growth of a New Art (1970)The Nationalization of the Masses: Political Symbolism and Mass Movements in Germany from the Napoleonic Wars through the Third Reich (1976)Entanglements: The Histories of TDR (2006)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Kafka: Toward a Minor Literature (1986)The sound of nonsense - on the function of nonsense words in pop songs (2017)Anti-Oedipus: Capitalism and Schizophrenia (1978)Anti-Oedipus: Capitalism and Schizophrenia. (1978)Difference and repetition (1994)Haptic Spectatorship and the Political Life of Cruelty, or, Antonin Artaud “Signaling Through the Flames” (2010)Affect in Deleuze, Hijikata, and Coates: The Politics of Becoming-Animal in Performance (2012)Jan Fabre’s Prometheus Landscape II : [De]territorialization of the tragic and transgressive acts of arson (2017)Basic Writings of Nietzsche (1968)What Is Philosophy? (1996)Homo Ludens: A Study of the Play-Element in Culture. (1951)A Greek-English lexicon (1968)From ritual to theatre : the human seriousness of play (1982)The History of Medieval Theatre / Theatre of Medieval History: Dramatic Documents and the Performance of the Past (2009)Kassia’s hymnography in the light of patristic sources and earlier hymnographical works (2011)How To Do Things With Words (1975)Phenomenology of Perception (1982)Gender Trouble: Feminism and the Subversion of Identity (1991)
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Cited by

  • 2005Rabbits, Machines, and the Ontology of Performance33 cited
  • 2006THE ARTIFICE OF ETERNITY: A STUDY OF LITURGICAL AND THEATRICAL PRACTICES IN BYZANTIUM21 cited
  • 2009How Do You Make Yourself a Theatre without Organs? Deleuze, Artaud and the Concept of Differential Presence19 cited
  • 2002The Theater in Modernist Thought16 cited
  • 2000Performing Degree Zero: Barthes, Body, Theatre14 cited
  • 2014‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music9 cited
  • 2002The Bottom of Desire in Suzan-Lori Parks's Venus9 cited
  • 2016Introduction: Queer Dramaturgies8 cited
  • 2008Beyond imitation and representation: extended comprehension of mimesis in drama education8 cited
  • 2001Modernism and Anti-theatricality: An Afterword8 cited
  • 2000Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts8 cited
  • 2002The sound of meaning: theories of voice in twentieth-century thought and performance7 cited

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