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Although Old Hispanic liturgical chant has long been considered one of the most important medieval chant traditions, its musical notation shows only where the melodies rise and fall, not precise intervals or pitches, and this lack of pitch-readable notation has prevented scholars from fully engaging with the surviving sources. Focussing on three genres of chant sung during the Old Hispanic Lent (the threni, psalmi, and Easter Vigil canticles), this book takes a holistic view of the texts and melodies, setting them in the context of their liturgical and intellectual surroundings. It concludes t
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