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Emblems of EloquenceOpera and Women's Voices in Seventeenth-Century Venice
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  • 2005Mask and illusion: Italian opera after 163736 cited
  • 2014Race, empire, and early music35 cited
  • 2005Commentary: Why Opera? The Politics of an Emerging Genre33 cited
  • 2005Poppea's Legacy: The Julio-Claudians on the Venetian Stage23 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012Introduction: opera studies today11 cited
  • 2017Scholars, Friends, Plagiarists: The Musician as Author in the Seventeenth Century9 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2012Opera and gender studies5 cited
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  • 2012The dramaturgy of opera5 cited
  • 2020Echoes of Ariadne in the Musical Reception of Ariosto and Tasso4 cited
  • 2013Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment4 cited
  • 2010‘Now I come to you, ladies, after so much time’: Cleopatra, Maria d'Aragona and anintermediofor the Duchess of Alba

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3 cited
  • 2018LOVE CONQUERS ALL: CUPID, PHILIP V AND THE ALLEGORICAL ZARZUELA DURING THE WAR OF THE SPANISH SUCCESSION (1701–1714)3 cited