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Forms of representation in Alois Riegl's theory of art
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Cited by

  • 2000From the culture of spolia to the cult of relics: the Arch of Constantine and the genesis of late antique forms201 cited
  • 2006Considerations on Authenticity and Integrity in the World Heritage Context179 cited
  • 2016Traces of the Past137 cited
  • 2016Traces of the Past: Classics between History and Archaeology87 cited
  • 2006The role of cognitive competence in the art museum experience53 cited
  • 2005Key Writers on Art: From Antiquity to the Nineteenth Century45 cited
  • 2006Living Precisely in Fin-de-Siècle Vienna39 cited
  • 2006The role of cognitive competence in the art museum experience34 cited
  • 2010Embodying Art: The Spectator and the Inner Body19 cited
  • 2005Time and History in Alois Riegl's Theory of Perception15 cited
  • 2006A Lens of Many Facets13 cited
  • 2009Cultural evolution in the Age of Athens: drift and selection in Greek figure-painted pottery7 cited
  • 2002Exhibition as Archive: Beaumont Newhall,Photography 1839–1937, and the Museum of Modern Art3 cited
  • 2020The Rise of Byzantine Art and Archaeology in Late Imperial Russia2 cited

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