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Die 'Couleur locale' in der Oper des 19. Jahrhunderts
0 references·14 citing·38 second hop
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Cited by

  • 1992The silencing of Lucia41 cited
  • 1998Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East34 cited
  • 2015The archaeological study of the Bible34 cited
  • 2015The New Cambridge History of the Bible24 cited
  • 2012‘The moral background of the work of art’: ‘character’ in German musical aesthetics, 1780–185015 cited
  • 1989Return of the native: Japan inMadama Butterfly/Madama Butterflyin Japan13 cited
  • 1993Grand Opéra vor Gericht12 cited
  • 2015Liberationist readings of the Bible11 cited
  • 1991‘O cieli azzurri’: Exoticism and dramatic discourse in Aida10 cited
  • 1996Meyerbeer'sIl crociato in Egitto: mélodrame, opera, orientalism5 cited
  • 2007'BilderMusik': Panoramen, Tableaux vivants und Lichtbilder als multimediale Darstellungsformen in Theater- und Musikaufführungen vom 19. bis zum frühen 20. Jahrhundert (review)5 cited
  • 2015Reception of the Bible: the Bible in Africa5 cited
  • 2001Opera and music drama4 cited
  • 2009Meyerbeer's Music of the Future3 cited

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