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Cited by

• 1999Mei Lanfang and the Nationalization of Peking Opera, 1912–193033 cited
• 2010"Eight Stage Works for 800 Million People"*: The Great Proletarian Cultural Revolution in Music--A View from Revolutionary Opera29 cited
• 2007Flowers on the Battlefield are More Fragrant23 cited
• 1995Peking Opera as "National Opera" in Taiwan: What's in a Name?23 cited
• 1998Questions of Chinese Aesthetics: Film Form and Narrative Space in the Cinema of King Hu16 cited
• 1996The Actor Occluded: Puppet Theatre and Acting Theory12 cited
• 2018Lychees and Mirrors: Local Opera, Cinema, and Diaspora in the Chinese Cultural Cold War10 cited
• 2019Nuo Altar Theatre on a Liminal/Liminoid Continuum: Reflections on the Shamanic Origins of Chinese Theatre9 cited
• 2007Chinese Theatre, Confucianism, and Nationalism: Amateur Chinese Opera Tradition in Singapore8 cited
• 2001The Nun Who Wouldn't Be: Representations of Female Desire in Two Performance Genres of "Si Fan"8 cited
• 1997MING MUSIC AND MUSIC HISTORY6 cited
• 2005Performing Patterns: Numinous Relations in Shang and Zhou China6 cited
• 1996Source and stream: early music and living traditions in China3 cited