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Introduction Gaylyn Studlar & Matthew Bernstein Part I 1. 'Shall We Gather at the River?': Late Films of Robin Wood 2. Sacred Duties, Poetic Passions: Ford and Issue of Femininity in the Western Gaylyn Studlar 3. The Margin as Center: Multicultural Dynamics of Ford's Westerns Charles Ramirez Berg 4. Linear Patterns and Ethnic Encounters in the Ford Western Joan Dagle 5. How the West Wasn't Won: the Repression of Capitalism in Ford's Westerns Peter Lehman 6. Painting the Legend: Frederic Remington and the Western Edward Buscombe 7. 'The Sound of Many Voices': Music in Ford's Westerns Kathryn Kalinak 8. John Ford and James Fenimore Cooper: Two Rode Together Barry Keith Grant 9. From Aesthete to Pappy: Evolution of Ford's Public Reputation Charles J. Maland Part II-Dossier Emanuel Eisenberg, John Ford: Fighting Irish, New Theater, April 1936 Frank S. Nugent, Hollywood's Favorite Rebel, Saturday Evening Post, July 23, 1949 Ford, John Wayne--My Pal, Hollywood, no. 237 (March 17, 1951), translated from the Italian by Gloria Monti Bill Libby, The Old Wrangler Rides Again, Cosmopolitan, March 1964About Action 8.8 (Nov.-Dec. 1973) Filmography Selected Bibliography Contributors Index
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