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The European cinema reader
0 references·8 citing·35 second hop
The European cinema reader (2002)The European cinema readerAgnes Varda between Film, Photography, and Art (2017)Agnes Varda between Film, Pho…New cinema history and the comparative mode (2016)New cinema history and the co…Theorizing art cinemas: foreign, cult, avant-garde, and beyond (2014)Theorizing art cinemas: forei…Bach at the Space Station (2014)Bach at the Space StationJoe Swanberg, Intimacy, and the Digital Aesthetic (2011)Joe Swanberg, Intimacy, and t…The Grammar of the New Romanian Cinema (2010)The Grammar of the New Romani…Film Festivals : From European Geopolitics to Global Cinephilia (2007)Film Festivals : From Europea…National, transnational or supranational cinema? Rethinking European film studies (2005)National, transnational or su…Mass Communication and Para-Social Interaction (1956)How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (2001)Cybertypes: Race, Ethnicity, and Identity on the Internet (2002)Theorizing “Bad” Sound (2014)The Concept of National Cinema (1989)Transnational Connections: Culture, People, Places. (1997)An Accented Cinema (2001)Migration and Cinematic Process in Post-Cold War Europe (2010)Zoom in, zoom out: crossing borders in contemporary European cinema (2014)World Cinema in a Global Frame (2021)Unheard melodies: narrative film music (1988)Audio-vision: sound on screen (1994)Narration in the Fiction Film (2013)How to Read a Film (1977)European Cinema : Face to Face with Hollywood (2005)Film history: Theory and practice (1985)CINEMA AND SPECTATORSHIP (1993)The Handbook of Comparative Communication Research (2013)Adana Sinema Tarihinden Kadınların Seyir Deneyimine Dair Fragmanlar (2019)ESKİ İZMİR SİNEMALARI VE YILDIZ SİNEMASI: MEKÂN, TOPLUM, SEYİR (2019)Comparative, Entangled, Parallel and ‘Other’ Cinema Histories. Another Reflection on the Comparative Mode Within New Cinema History (2020)The Selfish Gene (1976)The Politics and Poetics of Transgression (1988)Creeping decay: cult soundtracks, residual media, and digital technologies (2014)Cult cinema and the ‘mainstreaming’ discourse of technological change: revisiting subcultural capital in liquid modernity (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Le droit à la ville (1967)The skin of the film: intercultural cinema, embodiment, and the senses (2000)The Agenda-Setting Function of Mass Media (1972)Nations and Nationalism. (1984)Between Memory and History: Les Lieux de Mémoire (1989)Film festival research from an organizational studies perspective (2010)Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports? (2014)The Price of Admission: Organizational Deference as Strategic Behavior (2017)
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Cited by

  • 2007Film Festivals : From European Geopolitics to Global Cinephilia290 cited
  • 2005National, transnational or supranational cinema? Rethinking European film studies185 cited
  • 2016New cinema history and the comparative mode39 cited
  • 2011Joe Swanberg, Intimacy, and the Digital Aesthetic27 cited
  • 2014Theorizing art cinemas: foreign, cult, avant-garde, and beyond26 cited
  • 2010The Grammar of the New Romanian Cinema15 cited
  • 2017Agnes Varda between Film, Photography, and Art14 cited
  • 2014Bach at the Space Station4 cited

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