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Sound Commitments: Avant-Garde Music and the Sixties
0 references·16 citing·44 second hop
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Cited by

  • 2016Performance Practice in the Music of Steve Reich47 cited
  • 2018Music and Politics:A Critical Introduction44 cited
  • 2014‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–196839 cited
  • 2012“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–6537 cited
  • 2014Records ruin the landscape: John Cage, the sixties, and sound recording37 cited
  • 2020Writing on living composers and the problem of advocacy21 cited
  • 2011Reich in Blackface:Oh Dem Watermelonsand Radical Minstrelsy in the 1960s15 cited
  • 2013John Cage and David Tudor: correspondence on interpretation and performance14 cited
  • 2011Musical Modernism, Sanitized12 cited
  • 2013Triple Entendre: Furniture Music, Muzak, Muzak-Plus11 cited
  • 2017Improvisation and Social Aesthetics11 cited
  • 2010‘Listening to the Sounds of the People’: Frederic Rzewski and Musica Elettronica Viva (1966–1972)7 cited
  • 2017Animating the Object: Marcelle Deschênes and acousmatic education in Quebec6 cited
  • 2023Cuban Music Counterpoints5 cited
  • 2009Tuning in and Dropping Out: The Disturbance of the Dutch Premiere of Stockhausen's Stimmung

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4 cited
  • 2013The Sound of an Upside-Down World: Jerry Goldsmith’s Landmark Score for Planet of the Apes (1968)3 cited