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Photography and its critics: a cultural history, 1839-1900
0 references·16 citing·48 second hop
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(2013)‘Writing’ oneself into tragedy: visual user practices and spectatorship of the Alan Kurdi images on Instagram (2019)Ways of Worldmaking (1978)Testimony: crises of witnessing in literature, psychoanalysis, and history (1992)Metaphors We Live By (2003)When citizen photojournalism sets the news agenda: Neda Agha Soltan as a Web 2.0 icon of post-election unrest in Iran (2011)Finding and assessing social media information sources in the context of journalism (2012)Re-imagining crisis reporting: Professional ideology of journalists and citizen eyewitness images (2013)The Daguerreotype in America (1977)Classic Essays on Photography (1981)Out of the Shadows: Herschel, Talbot, and the Invention of Photography. 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(1994)Sources of the self: the making of the modern identity (1990)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)The End of History and the Last Man. (1992)Neo‐Victorian Adaptations (2012)The Victorians now: global reflections on neo‐Victorianism (2013)The lures of neo‐Victorianism presentism (with a feminist case study of Penny Dreadful ) (2018)Speech and Phenomena: And Other Essays on Husserl's Theory of Signs (1967)Simulacra and Simulation (1995)Beyond magic: Prompting for style as affordance actualization in visual generative media (2024)Examining the impact of big five personality traits on generation Z designers’ subscription to paid AI drawing tools using SEM and FsQCA (2025)
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  • 2007On “Having Been There”: “Eyewitnessing” as a Journalistic Key Word203 cited
  • 2010History and Cultural Memory in Neo-Victorian Fiction55 cited
  • 2010History and Cultural Memory in Neo-Victorian Fiction46 cited
  • 1998The Photographic Construction of Tourist Space in Victorian America24 cited
  • 2006Reflections Essay: What's Untransportable About the Transport of Photographic Images?24 cited
  • 2023The emergence of autolography: the ‘magical’ invocation of images from text through AI13 cited
  • 2000Rationalizing Consumption: Lejaren à Hiller and the Origins of American Advertising Photography, 1913–192413 cited
  • 2006Light Writing: Technology Transfer and Photography to 184512 cited
  • 2019The photographic city10 cited
  • 2004Still Moving: The Revelation or Representation of Dance in Still Photography10 cited
  • 2009Rejecting Illusionism: Transforming Space into Maps and into Art10 cited
  • 1998The Daguerreotype and the Rhetoric of Photographic Technology8 cited
  • 2024Trains and cameras: Photography and the creation of a railway landscape in Portugal (late nineteenth–early twentieth centuries)2 cited
  • 2022EARLY WRITINGS ON PHOTOGRAPHY IN CROATIA: MAIN ASPECTS OF THE DISCOURSE ABOUT THE “NEW DAUGHTER OF THE SUN IN THE CIRCLE OF MUSES”

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2 cited
  • 2021The Public Lives of Private Family Albums: a Case Study in Collections and Exhibitions at the Art Gallery of Ontario and Max Dean: Album2 cited
  • 2016Through the Lens of Fashion1 cited