SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Art, Power and Modernity: English Art Institutions, 1750-1950
0 references·7 citing·32 second hop
Art, Power and Modernity: English Art Institutions, 1750-1950 (2000)Art, Power and Modernity: English Art Ins…Still Shakespeare and the Photography of Performance (2019)Still Shakespeare and the Pho…The rules of (Maori) art: Bourdieu’s cultural sociology and Maori visitors in New Zealand museums (2013)The rules of (Maori) art: Bou…The Eyes of the Beholder: Aesthetic Preferences and the Remaking of Cultural Capital (2013)The Eyes of the Beholder: Aes…Picturing reform in Victorian Britain (2013)Picturing reform in Victorian…The State Collections of Colonial New Zealand Art: Intertwined Histories of Collecting and Display (2010)The State Collections of Colo…Victorian Museums and Victorian Society (2008)Victorian Museums and Victori…Cultural Organizations and the State: Art and State Support in Contemporary Britain (2008)Cultural Organizations and th…THE UNIVERSAL SURVEY MUSEUM (1980)The heritage industry: Britain in a climate of decline (1987)The Field of Cultural Production (1994)Art and the Twenty-First Century Gift: Corporate Philanthropy and Government Funding in the Cultural Sector (2014)Enterprise Culture and the Arts: Neoliberal Values and British Art Institutions (2018)‘Culture for Sale’: The Effects of Corporate Colonization on the UK Museum Sector (2021)The Birth of the Museum: History, Theory, Politics (1996)The Field of Cultural Production: Essays on Art and Literature (1996)The rules of art : genesis and structure of the literary field (1997)“Lies, damn lies and statistics”: a history of museum visits in Australasia (2018)As Instituições Museológicas e as Práticas de Lazer (2018)Looking back: understanding visits to museums in the UK and beyond since the nineteenth century (2019)The Order of Things: An Archaeology of the Human Sciences. (1971)Discipline and Punish: The Birth of the Prison (1978)Distinction: A Social Critique of the Judgement of Taste. (1985)Industrial Homes, Domestic Factories: The Convergence of Public and Private Space in Interwar Britain (2011)Museums and the Search for Meaning in the ‘Necessary Context’ of the Market (2013)Looking back: understanding visits to museums in the UK since the nineteenth century (2018)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)(In)authenticity work: Constructing the realm of inauthenticity through Thomas Kinkade (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)Making space for co-creation: heritage attractions that host contemporary art (2020)Visual Pleasure and Narrative Cinema (1975)Camera Lucida: Reflections on Photography (2001)The Work of Art in the Age of Mechanical Reproduction (2007)A Short History of Shakespeare in Performance (2021)The world republic of letters (2005)Museums and the Interpretation of Visual Culture (2020)The Long Revolution (1961)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Capital: A Critique of Political Economy (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2013The Eyes of the Beholder: Aesthetic Preferences and the Remaking of Cultural Capital125 cited
  • 2019Still Shakespeare and the Photography of Performance39 cited
  • 2008Cultural Organizations and the State: Art and State Support in Contemporary Britain19 cited
  • 2013The rules of (Maori) art: Bourdieu’s cultural sociology and Maori visitors in New Zealand museums16 cited
  • 2008Victorian Museums and Victorian Society8 cited
  • 2013Picturing reform in Victorian Britain7 cited
  • 2010The State Collections of Colonial New Zealand Art: Intertwined Histories of Collecting and Display2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work