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The control of acoustic intensity during jazz and free improvisation performance : possible transcultural implications for social discourse and community
14 references·0 citing·45 second hop
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References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 2005Oxytocin increases trust in humans3,690 cited
  • 1996Acoustic profiles in vocal emotion expression.2,257 cited
  • 2009It's All in the Timing: Interpersonal Synchrony Increases Affiliation1,334 cited
  • 2000Music Grooves: Essays and Dialogues356 cited
  • 2001Improvisation: methods and models342 cited
  • 2002Improvised Music after 1950: Afrological and Eurological Perspectives305 cited
  • 1992Improvisational creativity: An analysis of jazz performance148 cited
  • 1992New structures in jazz and improvised music since 196032 cited
  • 2007How composers viewed performers' additions31 cited
  • 2009Improvisation and the Unnameable: On Being Instrumental29 cited
  • 1990Crescendo/Diminuendo Asymmetries in Beethoven's Piano Sonatas26 cited
  • 2010The Improvisational Flavour of Law, the Legal Taste of Improvisation13 cited

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