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Black American Cinema
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(1996)Film Remakes as Ritual and Disguise (2006)Welcome to the Jungle: New Positions in Black Cultural Studies (2013)Cold War Carmen in US Racial Modernity (2014)Undoing dubbing (2019)Toward a Critical Race Theory of Education (1995)Critical Race Theory: The Key Writings That Formed the Movement (1996)“Bringing New Hope and New Life”: The Rhetoric of Faith-Based Refugee Resettlement Agencies (2009)The Christian Science Monitor (2011)Forging a Path: Past and Present Scope of Critical Race Theory and Latina/o Critical Race Theory in Communication Studies (2014)The art of rhetoric: Host country political hostility and the rhetorical strategies of foreign subsidiaries in developing economies (2022)Black Macho and the Myth of the Superwoman. 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(1985)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)The Black Atlantic: Modernity and Double Consciousness. (1997)Related Bodies (2009)Visual Pleasure and Narrative Cinema (1975)Feminism and its ‘other’: representing the ‘new woman’ of Bangladesh (2010)SUSTAINING FEMINIST FILM CULTURES: AN INSTITUTIONAL HISTORY OF WOMEN MAKE MOVIES (2013)Portrayals of career women in Hollywood films: implications for the glass ceiling’s persistence (2015)Black Skin, White Masks (2023)Policing the Crisis: Mugging, the State, and Law and Order (1978)The Work of Art in the Age of Mechanical Reproduction (2007)NEW ETHNICITIES AND THE INTERNET (2009)Ethnic Minority Youth Participation in the Production and Consumption of Social Media in Norway (2011)Interethnic Contact Online: Contextualising the Implications of Social Media Use by Second-Generation Migrant Youth (2015)Dementia and the biopolitics of the biopic: From Iris to The Iron Lady (2013)Postfeminism Meets the Women in Prison Genre (2016)The Chinese female spectatorship: a study of the network community of the “boys’ love” movie “Call Me by Your Name” (2019)
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Cited by

  • 2012Feminist Film Studies95 cited
  • 2005The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will Survive79 cited
  • 1998The Trials and Tribulations of Racialized Critical Rhetorical Theory: Understanding the Rhetorical Ambiguities of Proposition 18763 cited
  • 2002"He wanted to be just like Bruce Lee": African Americans, Kung Fu Theater and Cultural Exchange at the Margins60 cited
  • 2003Black Faces, White Voices: The Politics of Dubbing in Carmen Jones58 cited
  • 2005Virtual Ethnicity: Race, Resistance and the World Wide Web50 cited
  • 2000Blaxploitation Horror Films: Generic Reappropriation or Reinscription?49 cited
  • 2004Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation43 cited
  • 2002Black-Audience Westerns and the Politics of Cultural Identification in the 1930s35 cited
  • 2004Global Feminisms and the State of Feminist Film Theory32 cited
  • 2002Sweetback Style: Wallace Thurman and a Queer Harlem Renaissance30 cited
  • 2018Rassismus im Film28 cited
  • 2004Beyond the Black Macho: Queer Blaxploitation26 cited
  • 1999An Aesthetic Appropriate to Conditions: Killer of Sheep, (Neo)Realism, and the Documentary Impulse

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26 cited
  • 2017“We Don't Die, We Multiply”: Bebe's Kids, Hip-Hop Aesthetics, and Black Feature Animation22 cited
  • 2005Toward a (De)constructive Psychology of African American Men20 cited