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Cited by

• 2019Characterization of painting pigments and ochres associated with the Hoabinhian archaeological context at the rock-shelter site of Doi Pha Kan (Thailand)29 cited
• 2016Learning through practise: Cheŵa women’s roles and the use of rock art in passing on cultural knowledge17 cited
• 2020Ibex in context: A new insight into the meaning of the ibex depiction in the rock art of Iran based on new findings from Mount Eüji-iti in Central Western Iran5 cited
• 2016The Curious Case of the Steamship on the Mekong5 cited
• 2024Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats4 cited
• 2018Rock art at the cave of a thousand Buddhas, Luang Prabang, Lao PDR2 cited
• 2018Documenting a threatened rock art site on Soqotra, Yemen2 cited
• 2016Marking memories: indigenous north of the !Garib River and contemporary in Westville, South Africa1 cited
• 2023Qualia in late precolonial Pueblo rock art: An exploration of conventionalized sensorial experience in Rio Grande Style petroglyphs1 cited
• 2019THE QUEST OF VISION: VISUAL CULTURE, SACRED SPACE, RITUAL, AND THE DOCUMENTATION OF LIVED EXPERIENCE THROUGH ROCK IMAGERY0 cited
• 2023Early paintings of central-western Thailand0 cited
• 2024The pictographs of Chel-Dokhtaroon in the Southern Zagros Mountains, Fars, Central Southern Iran0 cited
• 2023La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg