American Gangster Cinema: From "Little Caesar" to "Pulp Fiction"

Abstract

Preface Introduction Modernity and the Classic Gangster Film The Post-Code Gangster: Ideology and Social Conscience The End of the Big Shot: The Gangster in the 1940's Outside Society, Outside the Gang: The Alienated Noir Gangster Order and Chaos, Syndicates and Heists Nostalgia and Renewal in the Post-Classical Gangster Film Notes A Chronology of the Gangster Film Bibliography

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