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Fashion and fancy: dress and meaning in Rembrandt's paintings
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Cited by

  • 2017Artificial orpiment, a new pigment in Rembrandt’s palette37 cited
  • 2015Revising the Visage: Patches and Beauty Spots in Seventeenth-Century British and Dutch Painted Portraits19 cited
  • 2016Domesticating Goods from Overseas: Global Material Culture in the Early Modern Netherlands18 cited
  • 2009"The Night Watch" and the Entry of Marie de'Medici: A New Interpretation of the Original Place and Significance of the Painting7 cited
  • 2011Vermeer's Robe: Costume, Commerce, and Fantasy in the Early Modern Netherlands7 cited
  • 2016Rembrandt’s Philosopher: Aristotle in the Eye of the Beholder3 cited
  • 2009Was Hendrick ter Brugghen a Melancholic3 cited
  • 2009Privileged Piety: Melancholia and the Herbal Tradition3 cited

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