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The real gaze: film theory after Lacan
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Cited by

  • 2018“How Much Do You Want to Pay for This Beauty?”: Domestic Noir and the Active Turn in Feminist Crime Fiction19 cited
  • 2010Manhood in Hollywood from Bush to Bush17 cited
  • 2010Sites and Sinthomes: Fantasmatic Spaces of Child Art in Art Education14 cited
  • 2011The changing face of the Other in Romanian films13 cited
  • 2012The Gaze as constituent and annihilator13 cited
  • 2010Challenging the border as barrier: Liminality in Terrence Malick'sthe thin red line12 cited
  • 2012Valences of Interdisciplinarity: Theory, Practice, Pedagogy10 cited
  • 2012Fetish, Taboo, Simulacrum: An Applied Psychoanalytic/Semiotic Approach to the Experiential Consumption of Musical Products10 cited
  • 2014Big Window, Big Other: Enjoyment and Spectatorship in Alfred Hitchcock'sRope9 cited
  • 2017Nostalgia, Fantasy, and Loss: Stranger Things and the Digital Gothic9 cited
  • 2016Introduction: Enjoying the Cinema8 cited
  • 2019Specularizing the Object Cause of Desire of the Dead Other: A Ghost Story7 cited
  • 2014No Way as Way: Towards a Poetics of Martial Arts Cinema5 cited

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