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Trends in Schenkerian research
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Trends in Schenkerian research (1990)Trends in Schenkerian researchBecoming Heinrich Schenker: music theory and ideology (2015)Becoming Heinrich Schenker: m…Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…The Politics of the Urlinie in Schenker's Der Tonwille and Der freie Satz (2007)The Politics of the Urlinie i…Heinrich Schenker (2002)Heinrich SchenkerBach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) (1999)Bach, Telemann, and the Proce…Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Schubert's Experiments with Sonata Form: Formal-Tonal Design versus Underlying Structure (1993)Symmetrical Form and Common-Practice Tonality (1998)Schenker Documents Online (2016)Versions of Imitation in the Renaissance (1980)The Uses of Existing Music: Musical Borrowing as a Field (1994)Bach and the patterns of invention (1997)Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition (2011)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Drei Nebensonnen: Forte’s Linear-Motivic Analysis, Korngold’s Die Tote Stadt, and Schubert’s Winterreise as Visions of Closure (2009)Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’sRodelinda (2013)Uplift, Gender, and Scott Joplin's Treemonisha (2015)A Guide to Musical Analysis (1988)Phrase Rhythm in Tonal Music (1991)The classical style: Haydn, Mozart, Beethoven (1997)Schumann's a-Minor Mood (2016)Perception of the ternary arch-form in Western concert music: evidence from college music education (2020)A Treatise of Human Nature (1739)The Marx-Engels Reader (1972)»Schließlich waren alle Genies der Kunst immerhin doch Männer …«. Zum Geniebegriff bei Heinrich Schenker (2021)
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  • 2015Becoming Heinrich Schenker: music theory and ideology14 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2002Heinrich Schenker9 cited
  • 2007The Politics of the Urlinie in Schenker's Der Tonwille and Der freie Satz6 cited
  • 1999Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1)4 cited

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