Performance practice : music before 1600

Stanley Sadie

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Musicology and Musical Analysis Diverse Music Education Insights Music Technology and Sound Studies

Abstract

VOLUME 1: PART 1 MEDIEVAL MUSIC - Introduction (sources, theory, iconography, society, venues) - Instruments - Chant - Secular Monophony - Polyphony - Unwritten traditions - Interlude I: Musica ficta - Tempo, proportions - PART 2 RENAISSANCE MUSIC - Introduction - Instruments - Sacred Polyphony - Secular Polyphony - Monophony - Unwritten traditions - Interlude II: Pitch - Temperaments, tuning - Fingering, articulation. VOLUME 2: PART 3 BAROQUE MUSIC - Introduction - Instruments - Voices - Notation and non-notation - PART 4 CLASSICAL MUSIC - Introduction - Instruments - Voices - Ornamentation, improvisation - PART 5 ROMANTIC MUSIC - Introduction - Instruments - Voices - PART 6 THE 20TH CENTURY - 1900-40 - 1940-80 - Index

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2012Vocal performance in the seventeenth century 2012The Cambridge History of Musical Performance 1995Tempo relationships between duple and triple time in the sixteenth century 2020Renaissance Polyphony 2018Vernacular Song I : Lyric 2000Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music 2012The performer and the composer 2012Instrumental performance in the nineteenth century

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