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• 2011Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. A multi-analytical technique approach94 cited
• 2013Strontium, a new marker of the origin of gypsum in cultural heritage?63 cited
• 2015ATR-FTIR microscopy in mapping mode for the study of verdigris and its secondary products44 cited
• 2000Diagrammatic Reasoning and Modelling in the Imagination: The Secret Weapons of the Scientific Revolution40 cited
• 2013A simple and reliable methodology to detect egg white in art samples36 cited
• 2009XRF of cultural heritage materials: Round-robin IV—paint on canvas26 cited
• 2018The Giotto's workshop in the XXI century: looking inside the “God the Father with Angels” gable23 cited
• 1998A Brief History and Review of the Early Practice and Materials of Gap-Filling Inthe West19 cited
• 2006Lapis Lazuli in an Enigmatic ‘Purple7rsquo; Pigment from a Thirteenth-Century BC Greek Wall Painting18 cited
• 2020Early Franciscan painted panels as a response to the Italian Cathars11 cited
• 1995Art as a Product of Nature as a Work of Art7 cited
• 2000The conservation of a scrap screen from Carlyle's House, London3 cited