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Form in Indigenous Art: Schematisation in the Art of Aboriginal Australia and Prehistoric Europe
0 references·16 citing·60 second hopsampled
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  • 2008Symbolic behaviour and the peopling of the southern arc route to Australia178 cited
  • 2001The evolution of simplicity: Aesthetic labour and social change in the Neolithic Near East106 cited
  • 1994Australia's Ancient Warriors: Changing Depictions of Fighting in the Rock Art of Arnhem Land, N.T.101 cited
  • 2014Palaeolithic Personal Ornaments: Historical Development and Epistemological Challenges97 cited
  • 2000Origins of the Western Desert language: convergence in linguistic and archaeological space and time models80 cited
  • 2009A palaeolithic map from 13,660 calBP: engraved stone blocks from the Late Magdalenian in Abauntz Cave (Navarra, Spain)78 cited
  • 1996Birth of the Rainbow Serpent in Arnhem Land rock art and oral history76 cited
  • 2020Maliwawa figures—a previously undescribed Arnhem Land rock art style64 cited
  • 2009Dampier Archipelago petroglyphs: archaeology, scientific values and National Heritage Listing61 cited
  • 1996Mapping as a Cultural Universal58 cited
  • 2001Nature, culture and the body in classical Greek religious art58 cited
  • 2013One Colour, (at Least) Two Minerals: A Study of Mulberry Rock Art Pigment and a Mulberry Pigment ‘Quarry’ from the Kimberley, Northern Australia51 cited
  • 1999Encoding the Dreaming – A theoretical framework for the analysis of representational processes in Australian Aboriginal art

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47 cited
  • 2011Iconic imagery: Pleistocene rock art development across northern Australia43 cited
  • 1988Repainting Australian rock art43 cited
  • 1997Cupule engravings from Jinmium–Granilpi (northern Australia) and beyond: exploration of a widespread and enigmatic class of rock markings43 cited