SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Music and Its Social Meanings
0 references·15 citing·47 second hop
Music and Its Social Meanings (2013)Music and Its Social MeaningsOn Material Indeterminacy (2022)On Material IndeterminacyThe Terminology of Borrowing (2019)The Terminology of BorrowingGender and Music Composition: A Study of Music, and the Gendering of Meanings (2016)Gender and Music Composition:…Contemporary performance practice of art music in South Africa : a practice-based research enquiry (2012)Contemporary performance prac…Polystylism and narrative potential in the music of Alfred Schnittke (2011)Polystylism and narrative pot…Analysing musical culture in nineteenth-century Europe: towards a musical turn? (2010)Analysing musical culture in …Die opkoms van Afrikaanse rock en die literêre status van lirieke, met spesifieke verwysing na Fokofpolisiekar (2009)Die opkoms van Afrikaanse roc…How critical is music theory? (2007)How critical is music theory?Afrikaner Identity and the Music of Johannes Kerkorrel (2005)Afrikaner Identity and the Mu…Consuming pop music/constructing a life world (2004)Consuming pop music/construct…National Pride in the Developed World: Survey Data from 24 Nations (2002)National Pride in the Develop…‘Austro-Pop’ since the 1980s: Two Case Studies of Cultural Critique and Counter- hegemonic Resistance (2002)‘Austro-Pop’ since the 1980s:…The Consumption of Music and the Expression of VALUES (1999)The Consumption of Music and …On the Unremarkable in Music (1992)On the Unremarkable in MusicTechnology and Music Performance in the Age of Mechanical Reproduction (1989)Technology and Music Performa…Social Learning Theory. (1978)Institutions, Institutional Change and Economic Performance (1990)Institutions, Institutional Change and Economic Performance (1991)The management of projects and product experimentation: examples from the music industry (2005)The content and validity of music-genre stereotypes among college students (2007)You Are What You Listen To: Young People's Stereotypes about Music Fans (2009)Noise: The Political Economy of Music (1986)Feminine Endings: Music, Gender, and Sexuality (1992)Music in Everyday Life (2000)Extracurricular arts: poverty, inequality and indigenous musical arts education in post-apartheid South Africa (2016)Learning music theory en passant: a study in an internationally recognised South African University student choir (2019)Discourse and Social Psychology: Beyond Attitudes and Behaviour (1987)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Facing the Apartheid Archive, or, of Archons and Researchers (2010)National melancholia and Afrikaner self-parody in post-apartheid South Africa (2011)The History of Sexuality: An Introduction (2012)Nations and Nationalism. (1984)The consequences of modernity (1990)World Society and the Nation‐State (1997)East is West? National feelings and anti-immigrant sentiment in Europe (2008)How to influence national pride? The Olympic medal index as a unifying narrative (2010)Creating or awakening national pride through sporting success: A longitudinal study on macro effects in the Netherlands (2012)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The theory of the leisure class; an economic study of institutions (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)The Interpretation of Cultures (1974)The Lived experience of the popular music festival-goer. (2014)More than meets the eye: videography and production of desire in semiocapitalism (2017)The Interpretation of Cultures (2017)The archaeology of knowledge ; and, The discourse on language (1972)Interpretation and Overinterpretation (1992)Triadic Music in Twentieth-Century Russia (2013)Alfred Schnittke’s Triadic Practice (2017)Perception and the Representative Design of Psychological Experiments (1956)Emotion and Meaning in Music (1961)Gender schema theory: A cognitive account of sex typing. (1981)Not just composing, but programming music in group robotics (2020)The Technological Society (1954)Understanding Media: The Extensions of Man (1964)The Social Construction of Reality (1967)Space at the Margins: Colonial Spatiality and Critical Theory After Innis (1997)Cultural Technologies and the “Evolution” of Technological Cultures (2009)Making it work : creative music performance and the Western kit drummer. (2016)The Mangle of Practice (1995)Being Alive (2011)Staying with the Trouble (2016)Empirical Approaches to the Performance Analysis of New Music (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2002National Pride in the Developed World: Survey Data from 24 Nations168 cited
  • 1999The Consumption of Music and the Expression of VALUES45 cited
  • 1989Technology and Music Performance in the Age of Mechanical Reproduction35 cited
  • 2005Afrikaner Identity and the Music of Johannes Kerkorrel25 cited
  • 2016Gender and Music Composition: A Study of Music, and the Gendering of Meanings25 cited
  • 2007How critical is music theory?14 cited
  • 2022On Material Indeterminacy13 cited
  • 2004Consuming pop music/constructing a life world10 cited
  • 2011Polystylism and narrative potential in the music of Alfred Schnittke8 cited
  • 2010Analysing musical culture in nineteenth-century Europe: towards a musical turn?6 cited
  • 2002‘Austro-Pop’ since the 1980s: Two Case Studies of Cultural Critique and Counter- hegemonic Resistance6 cited
  • 1992On the Unremarkable in Music4 cited
  • 2012Contemporary performance practice of art music in South Africa : a practice-based research enquiry4 cited
  • 2019The Terminology of Borrowing3 cited
  • 2009Die opkoms van Afrikaanse rock en die literêre status van lirieke, met spesifieke verwysing na Fokofpolisiekar

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited