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Transnational Exchange in Early Modern Theater
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Transnational Exchange in Early Modern Theater (2016)Transnational Exchange in Early Modern Th…Early Modern Media Ecology (2024)Early Modern Media EcologyThe Renaissance on the Road (2023)The Renaissance on the RoadPulcinella’s Mouthfuls: The pulcinellate of Carlo Sigismondo Capece and the Language of Otherness (2022)Pulcinella’s Mouthfuls: The p…Homer and Greek tragedy in early modern England's theatres: an introduction (2016)Homer and Greek tragedy in ea…The Actress and Baroque Aesthetic Effects in Renaissance Drama (2015)The Actress and Baroque Aesth…Renaissance Women’s Performance and the Dramatic Canon: Theater History, Evidence, and Narratives (2015)Renaissance Women’s Performan…Another Turn for Transnationalism: Empire, Nation, and Imperium in Early Modern Studies (2015)Another Turn for Transnationa…Anatomy of an Actress: Bel-imperia as Tragic Diva (2015)Anatomy of an Actress: Bel-im…“Sing it Like Poor Barbary”: Othello and Early Modern Women’s Performance (2015)“Sing it Like Poor Barbary”: …Moliere, Descartes, and the Practice of Comedy in the Intermezzo (2013)Moliere, Descartes, and the P…What’s Hecuba to Shakespeare? (2012)What’s Hecuba to Shakespeare?New Perspectives on Language, Oral Transmission, and Multilingualism in Commedia dell'Arte (2008)New Perspectives on Language,…The Complete Works (1943)The Ritual Lament in Greek Tradition (1975)Reading Greek Tragedy (1986)The Reception of Greek Drama in Early Modern England (2016)Women on Stage in Stuart Drama (2005)Labors lost: women's work and the early modern English stage (2012)Chastity, Speech, and the Girl Masquer (2017)Conversations on Science, Culture, and Time (1995)The acoustic world of early modern England: attending to the O-factor (1999)Documents of Performance in Early Modern England (2009)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Italian Drama in Shakespeare's Time (1990)Performance and Literature in the Commedia dell'Arte (2003)Oral Traditions and Gender in Early Modern Literary Texts (2009)The Politics of Tragicomedy: Shakespeare and After. (1994)Women on the Renaissance stage : Anna of Denmark and female masquing in the Stuart court (1590-1619) (2002)The Elizabethan Stage (2009)The Traveling Diva and Generic Innovation (2016)The Norton Shakespeare (1891)Culture of the baroque : analysis of a historical structure (1986)The Player's Passion: Studies in the Science of Acting (1986)The “Play-Boy,” the Female Performer, and the Art of Portraying a Lady (2015)Connected Histories: Notes towards a Reconfiguration of Early Modern Eurasia (1997)The corrupting sea: a study of Mediterranean history (2000)The cultural geography of Colonial American literatures: empire, travel, modernity (2004)S. Hinds, Allusion and Intertext: Dynamics of Appropriation in Roman Poetry (Roman Literature and its Contexts). Cambridge: Cambridge University Press. 1998. Pp. xvi + 155. ISBN 0-521-57186-3 (bound); 0-521-57677-6 (paper). £32.50 (bound); £11.95 (paper). (1999)Toward a Sociology of Reading in Classical Antiquity (2000)Ben Jonson's Reception of Lucian (2019)Tragedy at Wittenberg: Sophocles in Reformation Europe (2020)Imperial Eyes (1900)Marvelous Possessions (1991)The Routledge Handbook of Mobilities (2014)Elite Women and the Italian Wars, 1494–1559 (2024)Plague, Towns and Monarchy in Early Modern France (2024)Risks in Renaissance Art (2024)Techniques of the observer: on vision and modernity in the nineteenth century (1991)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)
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Cited by

  • 2015“Sing it Like Poor Barbary”: Othello and Early Modern Women’s Performance89 cited
  • 2012What’s Hecuba to Shakespeare?28 cited
  • 2015Another Turn for Transnationalism: Empire, Nation, and Imperium in Early Modern Studies21 cited
  • 2023The Renaissance on the Road16 cited
  • 2016Homer and Greek tragedy in early modern England's theatres: an introduction13 cited
  • 2024Early Modern Media Ecology12 cited
  • 2015The Actress and Baroque Aesthetic Effects in Renaissance Drama10 cited
  • 2015Renaissance Women’s Performance and the Dramatic Canon: Theater History, Evidence, and Narratives10 cited
  • 2015Anatomy of an Actress: Bel-imperia as Tragic Diva6 cited
  • 2008New Perspectives on Language, Oral Transmission, and Multilingualism in Commedia dell'Arte4 cited
  • 2013Moliere, Descartes, and the Practice of Comedy in the Intermezzo2 cited
  • 2022Pulcinella’s Mouthfuls: The pulcinellate of Carlo Sigismondo Capece and the Language of Otherness1 cited

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