SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Art Incorporated: The Story of Contemporary Art
0 references·16 citing·56 second hop
Art Incorporated: The Story of Contemporary Art (2004)Art Incorporated: The Story of Contempora…Placing Arts Districts within Markets: A Case Study of 798 Arts District in Beijing (2019)Placing Arts Districts within…Cultural diplomacy and internationalism in regional art institutions (2019)Cultural diplomacy and intern…Between the market and noncommercial art institutions: Early career strategies of contemporary artists in emerging art scenes (2018)Between the market and noncom…Local contexts as activation mechanisms of market development: contemporary art in emerging markets (2017)Local contexts as activation …What is a global field? Theorizing fields beyond the nation-state (2016)What is a global field? Theor…When Art meets Money. Encounters at the Art Basel (2015)When Art meets Money. Encount…Marketing the Entrepreneurial Artist in the Innovation Age: Aesthetic Labor, Artistic Subjectivity, and the Creative Industries (2014)Marketing the Entrepreneurial…M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions (2014)M(Art)Worlds: Consumer Percep…The art machine: dynamics of a value generating mechanism for contemporary art (2013)The art machine: dynamics of …Selling art to the world in Chelsea (2012)Selling art to the world in C…Fashion Exhibitions in the Netherlands: Between Visual Spectacles and Community Outreach (2012)Fashion Exhibitions in the Ne…Biennalization and its discontents (2011)Biennalization and its discon…Form, Utility, and the Aesthetics of Thrift in Design Education (2010)Form, Utility, and the Aesthe…Changing Art: SoHo, Chelsea and the Dynamic Geography of Galleries in New York City (2009)Changing Art: SoHo, Chelsea a…What turn will cultural policy take? The renewal of the Swedish model (2008)What turn will cultural polic…Aesthetics Awry: The Painter of Light™ and the Commodification of Artistic Values (2006)Aesthetics Awry: The Painter …The Field of Cultural Production: Essays on Art and Literature (1996)Globalization and Its Discontents: Essays on the New Mobility of People and Money. (1999)The New Imperialism (2003)Curating Resistances: Ambivalences and Potentials of Contemporary Art Biennials (2014)Symbolic Production in the Art Biennial: Making Worlds (2016)Measurement and interpretation of ‘global cultural cities’ in a world of cities (2017)Organization and Aesthetics (1999)Creative Industries: Contracts between Art and Commerce (2001)Must we have Muzak wherever we go? A critical consideration of the consumer culture (2008)Framing the work: the composition of value in the visual arts (2016)When the arts inspire businesses: Museums as a heritage redefinition tool of brands (2017)Advances in Consumer Research (2025)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)The New Institutionalism in Organizational Analysis (1991)Institutions and organizations (1995)Reveries and Realities – Recent Developments in Finnish Urban Cultural Policy (2013)Renegotiating Cultural Welfare: The Adoption of Neoliberal Trends in Finnish Cultural Policy and How It Fits the Nordic Model of a Welfare State (2018)Possessions and the Extended Self (1988)Evolving to a New Dominant Logic for Marketing (2003)Managing heritage brands: A study of the sacralization of heritage stores in the luxury industry (2014)An experimental study to investigate the impact of image interactivity on the perception of luxury in an online shopping context (2016)The Interpretation of Cultures (2017)The role of aesthetics and design in hotelscape: A phenomenological investigation of cosmopolitan consumers (2017)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Reassembling the Social (2005)Cultural clusters and social interaction dynamics (2013)Incoherence and Tension in Culture‐Led Redevelopment (2014)Industrial gentrification in West Chelsea, New York: Who survived and who did not? Empirical evidence from discrete-time survival analysis (2014)Discipline and Punish: The Birth of the Prison (1978)Diffusion of innovations. (2003)A Brief History of Neoliberalism (2005)Employment Management Work: A Case Study and Theoretical Framework (2017)Entrepreneurship in the Creative Industries (2017)Identity crisis of artists during the Covid-19 pandemic and shift towards entrepreneurship (2021)The Artworld (1964)Aesthetics, Ideologies and the Limits of the Marketing Concept (1983)Culture and Consumption (1990)The art of branding − lessons from visual artists (2014)Making Space for Art: A Spatial Perspective of Disruptive and Defensive Institutional Work in Venezuela’s Art World (2019)The Creative Business Model Canvas (2020)Asylums: Essays on the Social Situation of Mental Patients and Other Inmates. (1962)Social Theory and Social Structure. (1969)Distinction: A Social Critique of the Judgement of Taste. (1985)Beyond Reproduction: Asymmetrical Interdependencies and the Transformation of Centers and Peripheries in the Globalizing Visual Arts (2018)Explaining variations in scale shifting: The role of spatiality, topography and infrastructure in global literary fields (2019)The creation of a global market for Colombian contemporary art through valuation and match-making (2020)Institutions, Institutional Change and Economic Performance (1990)Institutions, Institutional Change and Economic Performance (1991)Distinction: A Social Critique of the Judgement of Taste* (2018)Makeshift markets and grassroots reponsibilization (2018)Digitalization and the hybridization of markets and circuits in Airbnb (2019)Valuation devices and the dynamic legitimacy-performativity nexus: The case of PEP in the English legal profession (2021)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)Struggling with the Creative Class (2005)Integrating LDA thematic model, FCE, and QFD methods for consumer-centered visual planning of the creative tourism destination: A macrosystem decision approach (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2014M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions194 cited
  • 2016What is a global field? Theorizing fields beyond the nation-state132 cited
  • 2009Changing Art: SoHo, Chelsea and the Dynamic Geography of Galleries in New York City70 cited
  • 2006Aesthetics Awry: The Painter of Light™ and the Commodification of Artistic Values52 cited
  • 2014Marketing the Entrepreneurial Artist in the Innovation Age: Aesthetic Labor, Artistic Subjectivity, and the Creative Industries51 cited
  • 2013The art machine: dynamics of a value generating mechanism for contemporary art47 cited
  • 2017Local contexts as activation mechanisms of market development: contemporary art in emerging markets37 cited
  • 2011Biennalization and its discontents30 cited
  • 2008What turn will cultural policy take? The renewal of the Swedish model17 cited
  • 2019Placing Arts Districts within Markets: A Case Study of 798 Arts District in Beijing14 cited
  • 2010Form, Utility, and the Aesthetics of Thrift in Design Education14 cited
  • 2018Between the market and noncommercial art institutions: Early career strategies of contemporary artists in emerging art scenes13 cited
  • 2015When Art meets Money. Encounters at the Art Basel10 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2012
Fashion Exhibitions in the Netherlands: Between Visual Spectacles and Community Outreach
9 cited
  • 2012Selling art to the world in Chelsea9 cited
  • 2019Cultural diplomacy and internationalism in regional art institutions9 cited