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Contract With The Skin: Masochism, Performance Art, and the 1970s
0 references·6 citing·22 second hop
Contract With The Skin: Masochism, Performance Art, and the 1970s (1998)Contract With The Skin: Masochism, Perfor…Defecting Witness: The Difficulty in Watching Regina José Galindo’s PERRA (2017)Defecting Witness: The Diffic…“The Horse in My Flesh” (2013)“The Horse in My Flesh”Ecstasy and Pain: The ritualistic dimensions of performance practice (2008)Ecstasy and Pain: The rituali…"Sorry for Having to Make You Suffer": Body, Spectator, and the Gaze in the Performances of Yves Klein, Gina Pane, and Orlan (2002)"Sorry for Having to Make You…Violent Inscriptions: Writing the Body and Making Community in Four Plays by Migdalia Cruz (2000)Violent Inscriptions: Writing…Contemporary Performance/Technology (1999)Contemporary Performance/Tech…Unspeakable images: ethnicity and the American cinema (1991)The Ethnic eye: Latino media arts (1996)Writing on the body : female embodiment and feminist theory (1997)Body art/performing the subject (1998)The Digital dialectic: new essays on new media (1999)The Collaborative Subject (2001)The Explicit Body in Performance (2010)Audience empathy (2011)Acting with Technology (2016)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Difference and repetition (1994)The Queer Art of Failure (2011)From Homo Performans to Interspecies Collaboration: Expanding the concept of performance to include animals (2014)From Homo Performans to Interspecies Collaboration (2015)Gilbert Simondon and the Technical Mentalities and Transindividual Affects of Art-science (2019)The Elementary Forms of Religious Life (1916)THE ELEMENTARY FORMS OF RELIGIOUS LIFE (1916)The body in pain (1985)Sexual visions: images of gender in science and medicine between the eighteenth and twentieth centuries (1990)Illuminations: Essays and Reflections (1968)Ghostly Matters: Haunting and the Sociological Imagination (1999)Camera Lucida: Reflections on Photography (2001)
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Cited by

  • 1999Contemporary Performance/Technology29 cited
  • 2002"Sorry for Having to Make You Suffer": Body, Spectator, and the Gaze in the Performances of Yves Klein, Gina Pane, and Orlan23 cited
  • 2017Defecting Witness: The Difficulty in Watching Regina José Galindo’s PERRA10 cited
  • 2013“The Horse in My Flesh”9 cited
  • 2000Violent Inscriptions: Writing the Body and Making Community in Four Plays by Migdalia Cruz8 cited
  • 2008Ecstasy and Pain: The ritualistic dimensions of performance practice5 cited

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