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Cited by

• 2017The Ontological Turn959 cited
• 2010Close but not Deep: Literary Ethics and the Descriptive Turn524 cited
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• 2012The Common Reader and the Archival Classroom: Disciplinary History for the Twenty-First Century40 cited
• 2014Cultural Studies und Science & Technology Studies34 cited
• 2010Learning to work in the creative and cultural sector: new spaces, pedagogies and expertise26 cited
• 2009Out of the Blue: the dark side of creative enterprise16 cited
• 2013A Macro-Sociological Study into the Changes in the Popularity of Domestic, European, and American Pop Music in Western Countries15 cited
• 2020The Archipelago of Cultural and Creative Industries: A Case Study of the Basque Country13 cited
• 2023Female Empowerment and Radical Empathy for the Sustainability of Creative Industries: The Case of K-Pop9 cited
• 2014The Position and Perspectives of Cultural and Creative Industries in Southeastern Europe8 cited
• 2022Transcultural Flow in the Age of Globalization: Digital Platforms, Fandom and Mediated Culture in South Asia6 cited
• 2021The Role of Circular Business Modeling in the Entrepreneurial Identity-Construction Process6 cited
• 2012Working and Learning in The ‘Knowledgebased’ Creative and Cultural Sector