Italian Neorealism: Rebuilding the Cinematic City

Mark Shiel

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Cinema History and Criticism Cinema and Media Studies Italian Fascism and Post-war Society

Abstract

Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of Neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), Bicycle Thieves (1948) and Umberto D (1952).

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2011Before or beyond narrative? Towards a complex systems theory of contemporary films 2011IDENTIFICATION OF A CITY: Antonioni and Rome, 1940–62

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